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An interview with Meghan O’Rourke (poetry, ’05) appears in The Kenyon Review:

. . . to read Meghan’s poem, “Mistaken Self-Portrait as Mother of an Unmade Daughter,” click here.

What was your original impetus for writing “Mistaken Self-Portrait as Mother of an Unmade Daughter”?

I knew I wanted to write a series of poems exploring a big question—the question of what it is to be a person, with an individual consciousness—from the perspective of wanting a child. It’s a very strange thing to bring a being into the world that has no choice in the matter. The longing for a child is rooted in so many discrete physical cravings—for the soft chubby hands of a baby on yours, for the nestling of small, warm, downy head, or for giggling high voices in the other room—but it’s a big existential longing, too. I was interested in writing about what to me are the major, metaphysical, raw questions involved in having children and being pregnant in particular—questions that I think are sometimes minimized in a culture that sentimentalizes child-bearing as a state where you wear white clothes and drink herbal tea and feel dreamy all the time.

. . . to finish reading this interview, click here.

 

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Poet Meghan O’Rourke (poetry, ’05)

MEGHAN O’ROURKE, a poet and essayist, is the author of three collections of poetry, most recently Sun In Days. The recipient of a Guggenheim Fellowship and two Pushcart Prizes, she teaches in the writing programs at NYU and Princeton.

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Poet Maya Phillips (poetry, ’17)

Two poems with audio from alumna Maya Phillips (poetry, ’17) appear in Anomaly 25:

For audio of “The Kindly Ones,” click here.

The Kindly Ones

We at – are interested in taking care of
your real estate needs [we can take this
from you] and it has come to our attention
that, as administrator of the estate of –

[who? will you know him even now?],
you may now be in ownership [you, kin
of your father, in whose image – ?

. . . continue reading here.

. . . for “Theme and Red” and accompanying audio, click here.

A story by Avra Elliott (fiction, ’15) appears in Sweet Tree Review:

 

Sisters in the Woods

 

The year she would turn thirteen, Cassie’s parents sat her down to announce their divorce. Her father handed her a Fudgsicle, as though that might soften the news that he was gay and leaving New Mexico to live in New Jersey. He rubbed his nub of a goatee and said, “I’ve always wanted to see the Stone Pony.”

School had let out the day before, and Cassie had been looking forward to weeks of swimming in their small, above ground pool. Instead Cassie rode shotgun beside her mother—who seemed to think imminent abandonment demoted Cassie’s father to the backseat—and dropped her father at the bus station.

Four poems from Amanda Newell (poetry, ’17) appear in Scoundrel Time:

 

For Adam, my student, in Walter Reed

“Take One!” says the sticky
by the AFG decals,
but I don’t, though I want to,
because—really—

I have no claim to sacrifice,
no stump swinging

. . . continue reading “For Adam, my student, in Walter Reed” and other poems here.

Two poems by Abigail Wender (poetry, ’08) appear in disquieting muses quarterly:

 

Weligama Mama

 

O my children, the ant has a boulder in its mouth.
White, pale Weligama ant rushes with a chunk of potato chip
That fell yesterday from fingers or mouths or laps.

It can’t wait to put it into its ant nest.

 

(. . . to continue reading “Weligama Mama” and “Closure,” click here.)

Two poems by Marcia Pelletiere (poetry, ’93) appear in disquieting muses quarterly:

 

Prologue

Yes, that boulevard, that
rain-wet road, the truck
that tried to bypass
my red car—yet
skidded at an angle, in,
swallowing half a decade

(. . . to continue reading “Prologue” and “The Alley,” click here.)

Two poems by Tracy Youngblom (fiction, ’03) appear in disquieting muses quarterly:

 

 

xix

even when it appears, the truth
can be ignored—one can close

one’s eyes to it, see what
is not there—transform it

into one’s own image: each label

(. . . to continue reading Tracy’s poetry, click here.)

Three sonnets by Robert Thomas (poetry, ’02) appear in disquieting muses quarterly:

 

Sonnet with Electricity and Glass Doors

I watch you walk out of our house, take off
your clothes, lie on the lawn, look at the stars,
and turn into a harp. Night flows through you,
and a blue music …. I can’t imagine
your sorrow or your rapture. Sprawled beyond
the thick glass doors, you become both ancient
and electric, vibrating in the ebb

. . . to continue reading “Sonnet with Glass Door and Electricity,” as well as two more of Thomas’s sonnets, click here.

Weston Cutter interviews Matt Hart (poetry, ’02) for The Brooklyn Rail:

 

MATT HART with Weston Cutter

This is now the third time I’ve interviewed Matt Hart for a publication, which seems strange simply because, when I first witnessed him, he sorta scared me. If you’ve seen him, you know: Matt’s engaged and loud at his readings, as interested in polyphony and aural dynamics as he is in transmitting verbal info (if you write, you likely leave his readings wondering why you’re not doing the same as he does, or at least that’s how I feel). [. . . continue reading full interview here.]

For a copy of Radiant Action (H_NGM_N Books, 2016), click here.

For a copy of Radiant Companion (Monster House, 2016), click here.

Two poems by Dilruba Ahmed (poetry, ’09) appear in Western Humanities Review:

To purchase a copy of the Summer ’17 issue, click here.