Jenny Johnson, In Full Velvet (2017)

“Late Bloom” is an excerpt from In Full Velvet, a new collection of poems by Jenny Johnson (poetry, ’11), released on February 17th from Sarabande Books:

 

 

 

Late Bloom

The name of the spotted apple

on the leafy floor in the woods

 

outside the white-walled bedroom

where the FM stereo was always

 

tuned to the same country

station my girl crush loved

 

was gall, name for an outgrowth,

a shell withering under leaf rot

 

near a spot where the surprise lilies

might remember, might

 

forget to bloom. Touch a weevil

and it will fall, legs and antennae tucked.

 

Blink and the artic fox becomes snow.

The gecko, toes spread wide

 

on a tree trunk, passes for lichen.

Of all the ways a creature can conceal itself,

 

I must have relied on denial.

There were the Confederate bumper stickers,

 

pressures from seniors to tail gate,

the spindly legs of a freshman

 

scissoring out of a trash can,

how just the smell of Old Spice

 

could make my muscles contract

like a moth, wings folded

 

the color of a dead leaf in October.

So that she might hear her favorite song

 

my voice would drop, and if the DJ answered

I would be Tim, Charlie, Luke, Jason

 

every name but my own.

Truer than gold.

 

Wasn’t I the stripe in a tiger’s eye?

The dapple in the flanks of an Appaloosa?

 

In daylight, how could I possibly explain:

A heart hunting after a body?

 

… purchase a copy of In Full Velvet here.

This poem originally appeared in Troubling the Line: Trans and Genderqueer Poetry and Poetics, edited by TC Tolbert and Trace Peterson.

Two poems by Dilruba Ahmed (poetry, ’09) appear in Waxwing:

 

Google Search Autocomplete

God who sees.

God who wasn’t there.

God who created hearts to love.

God who strengthens me.

God who is rich is mercy.

God who saves.

God how can I serve you.

[… continue reading “Google Search Autocomplete” here.]

[… read “Turbulence” here.]

Two poems by Ian Randall Wilson (poetry, ’02; fiction, ’16) appear in Taos Journal: International Poetry & Art:

Non-Combatant
A constellation of bodies
falling to the ground.
The demonstrators have shut off
the major thruways
tonight. He watches from home.

[…continue reading “Non-Combatant” here.]

[…read “The Action of Verbs” here.]

A poem by Jeneva Burroughs Stone (poetry, ‘07) appears in Waxwing:

[… continue reading here.]

 

 

 

 

A poem by Luke Brekke (poetry, ‘14) appears in The Missouri Review:

Mabel Loomis Todd

I really love your name.
How unfortunate

you had to be a scoundrel.
Today, from my window, I watched

[… Continue reading here.]

A poem by Lesley Valdes (poetry, ‘15) appears in The Curator Magazine:

Miami

Houses painted like the inside of fruit.
Mango, guava,
papaya with beady eyes.
Houses with roofs like ski hats.

[…continue reading here.]

Two poems by Dilruba Ahmed (poetry, ‘09) appear in the Winter 2016 issue of Alaska Quarterly Review.

 To purchase a copy of the issue, please click here.

 

An essay by Lauren Alwan (fiction, ‘08) appears in Catapult:

“The family legacy included silence as a way to belong.”

In the years my grandparents lived in their rambling, Spanish-style house in Southern California, they kept a Koran and a prayer rug in their bedroom hidden behind an ornate armchair. The chair, from Damascus, stood in one corner, grandly unused, its cushions upholstered in silk and the walnut frame set with mother-of-pearl. I never saw my grandparents use the Koran or the prayer rug. By the time I was born, they had fallen away from their practice of Islam.

My grandparents were Sunni, but after decades in the United States they’d become secular Muslims, with an identity lodged in the language, culture, attitudes, and customs they brought when they immigrated. After Islam, what remained was this: the Arabic spoken between my grandparents and their four sons; the meals we ate; the house with its Persian rugs and heavy Moorish Revival furniture; the letters scattered across bureaus and side tables, pages sent from Damascus and Beirut with their lines of Arabic script, and photographs of relatives I never met, at the beach, in a garden, or at home posed around a damask chair not unlike the ones in my grandparents’ house. [ continue reading here.]

A poem by Dilruba Ahmed (poetry, ‘09) appears in the Winter 2016 issue of The Indiana Review.

To purchase a copy of the issue, click here.

 

A poem by Mary-Sherman Willis (poetry, ’05) appears in the Winter 2017 “Virtual Salon” issue of Beltway Poetry Quarterly:

 

Henge

How could a housewife with three small children, living in Washington DC, fit the role of pioneer of far-out art? — Clement Greenberg, Vogue May 1968

In a city of spooks and journalists and lawyers
and their furious wives

you lived, a gentle wife,
interstitial between women and men:

where the children are.
You made up your mind, learned to bear up

and endure. And keep your temper. Every day
in the cold studio

[… continue reading here.]