A poem by alum Rebecca Foust (poetry, ’10) appears at Verse Daily:

The quest was a metaphor, of course
—it could mean abroad in a world
where May keeps blooming
right through one’s own fall—but also:
just asking the questions. No longer
not-seeing suffering, not for
the thank-God-it’s-not-me effect of, more

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An essay by alum Faith Holsaert (fiction, ’82) appears at The Courtship of Winds:

Earring holes, chosen by a little white girl in Haiti. Invisible, tonsil scars in her throat. That horse ran away and her father took her to the St. Croix emergency room where a doctor sewed up her knee while the two men talked. And the following week: her first period, but was that a scar? In Santa Fe an Australian Shepherd at the front door frightened the cat in her arms. A jagged scar on her forearm. She was twenty-five, when the first episiotomy, the first cut “down there,” was made, the doctor said to ease her son’s passage. And the male ob-gyn told her husband, the cut would make her tight as a virgin. Bad teeth like her mother’s. Pelvic Inflammatory Disease from a dirty and careless lover. At the end of her thirties, the year after a break-up so visceral that (fill in the blank): gall bladder across her abdomen. Embedded in the bone of her hip, a barbed wire repair. Traction rod hole scars above right shin. Invisible: her tongue almost bitten through in Berkeley the day after her sixty-fifth and her son’s fortieth birthdays, the sting of green soup that evening. Immunocompromised: hepatitis as a consequence of a week in an Albany, GA jail; toxoplasmosis; shingles which still burn at the top of her rib cage. A divot in the flare of her right nostril, skin cancer. Left lens removed for what her sister calls Byronic eyes. A lump taken, leaving a marker like a seamstress’ straight pin in the upper left quadrant of her left breast.

Continue reading part 1 online, and find part 2 here

An essay by alum Marisa Silver (fiction, ’96) appears at The New Yorker:

He was gone. I heard the final, awful rattle, the ragged, gasping breath that I couldn’t help thinking was full of his angry, determined desire to beat this impossible thing that had happened to him. He’d taken a fall. He’d hit his head. Now he was dead.

When I’d first walked into the hospital room and saw him hooked up to all the machines that were doing his living for him, I’d had to resist my urge to yell at him to GET UP! I was sure that this is what he would have done had our roles been reversed; he would have believed that he could somehow argue, cajole, even berate me into recovery, as if my situation were simply the result of laziness or a lack of will. This was a man who, in his younger days (and in more innocent times), would routinely arrive late to the airport, run out on the tarmac and flag down the plane pulling out of the gate, a guy who’d climbed Mt. Kilimanjaro at seventy, who’d figured out how to produce films with not much more than a few dollars and a roll of duct tape….

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A short story by alum Tommy Hays (fiction, ’88) appears at storySouth:

Asa spent what spare time he’d had this past week getting ready for Betsy’s visit—dusting, mopping, scrubbing and putting out enough roach motels to accommodate a convention. It was while putting out the last of the roach motels that he decided he’d have to tell her about the kiss.

Since Betsy wasn’t getting in till late he’d said he’d have dinner ready. She’d often cooked for him when he’d visited in Charleston. Yet when it settled on him what he’d committed to, and counting himself among the cooking impaired, he’d panicked. After a phone consultation with his mother, who talked him down from his culinary ledge, he decided to go for something simple—baked chicken with rice and green beans. For hors d’oeuvres he bought port wine cheese and a box of ak-mak crackers. He splurged on a couple of eight dollar bottles of wine that the clerk had said were even better than Mateus.

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A short story by alum Laurie Saurborn (fiction, ’08) appears at storySouth:

Looking out the large, double-paned window that spanned the length of the cabin’s western side, two women stood, shoulders close but not touching. Without turning her head Lydie said, “Tell him to hang thermal curtains in this window.” She pointed to the upper right corner and then the left, her finger moving like a conductor’s. Maura, watching a lone coyote run along the edge of the woods, nodded but said nothing. In the Catskill Mountains that began not far beyond the lower field, the surface of the Neversink reservoir glimmered in the sun like a shard of glass. For the fifteenth day in a row, temperatures were forecast to push into the upper nineties.

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An interview with alum Jenn Givhan (poetry, ’15), by alum Chantal Aida Gordon (fiction, ’16), appears at the Warren Wilson MFA Program for Writers’ website:

Your poetry collection, Landscape with Headless Mama, won the 2015 Pleiades Editors’ Prize and is out from LSU Press. Congratulations! The collection’s central speaker is a woman reliving her childhood with her mentally ill mother, and the book is, as you put it, “a surreal survival guide.” In what ways? And what is it about surrealism and magical realism that creates a compelling coping mechanism?

For a long while I didn’t even realize my poems were surreal. My favorite painters have long been Mexican surrealists (Frida, Remedios, and Leonora) and I knew their work inspired me as I daily live, breathe, write…But I didn’t know my metaphors and leaps and associations were all that strange…until I was told so. I sense that this is the survival part, somehow. And the power of surrealism. Our minds make wonderfully strange leaps when they’re protecting us. The survival part of the book is both saying the unsayable and renaming/reclaiming what’s been said (and done). Sometimes it takes seeing the (fractured) world and our place in it one or two steps to the side of reality, just that far askance, to be able to bare (and bear) reality.

Continue reading the interview online, and find a new poem out by Jenn, titled “The Cheerleaders,” at Rattle.

A poem by alum Matt Hart (poetry, ’02) appears at Monster House Press’s blog:

The word is pain,
and the world is pain,
but the sun on our skin
is enormous and light.

I went out running
this morning, the way
I always do, awkwardly

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michael-sharickA short story by alum Michael Sharick (fiction, ’15) appears at No Tokens Journal:

I was over at Duke’s place feeding the dog and delivering his smokes, which he’s not supposed to have, and Karen calls, right at Duke’s house, she calls, for me. She asks if I can please drive to the airport and pick up the Robinson family; they’re on their way home from Disney World, and someone from Make-a-Wish forgot to book them a ride.

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A poem by alum Leslie Contreras Schwartz (poetry, ’11) appears at Hermeneutic Chaos Journal:

My body holds pockets full
of other bodies, secreted cells of my parents,
inside my grandparents, nested
in an infinity of theirs and theirs.
I am made of those sweat-filled
sheets of sorrow,
a clothesline of flinching blouses
waiting for that slap and back-beat

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Alum Krys Lee (fiction, ’08) has a profile about her life and work, including her latest novel, How I Became a North Korean, in the L.A. Times:

Standing in the heart of Koreatown, novelist Krys Lee is turned around.

Was this the direction to the Korean market to which her family made a pilgrimage every weekend, and her mother would rent her cache of Korean videotapes? Which way was the tofu restaurant she and her pastor father walked to countless times, after her mother died and there was no one to cook him Korean food?

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