Two poems by alum Noah Stetzer (poetry, ’14) appear at The James Franco Review:

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This hangnail: the good sweet ouch of a small

tearing without thinking here on my thumb;

a deep red line creeps circling the dull nail,

a dark slow-welling of blood running down

and around the nail bed. Should it sizzle,

should it smoke a little above the tip

of my left thumb; sulfurous devilry

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A poem by alum Francine Conley (poetry, ’14) appears at The Collagist:

My boat lost in a place like surrender.

The sky is a curtain opening itself to glow-in-the-dark
celestial patterns.

It’s a map memorized as four points
with water all around.

I cannot hear my voice in the waves.

The world breaks up from so much weight
and miscomprehension.

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A poem by alum Shadab Z. Hashmi (poetry, ’09) appears at Ink Knode:

 

Qasida of the water pipe’s gurgle on a starry night

 

Midnight alley, the poet watches jinn silhouetted

in pursuit of jinn on slim ledges of balconies—

secrets leaking like watered-down ink—

In the walled city, a bone-biting winter night

never comes without the witness of coal,

brass pots and the nightly haleem cooked

by the same Mughal family for generations

 

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A poem by alum Fay Dillof (poetry, ’15) appears in Shadowgraph Quarterly:

Now trees, that tree,

part dead, part red, where plums,

who knows when, the seasons exploding

into one another, will form

and then it’ll be

a competition: squirrels v the height

we reach on chairs. And the heart

is not the pit but the hard bite

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A poem by alum Muriel Nelson (poetry, ’96) appears at Hayden’s Ferry Review:

On Silent Haunches

after Carl Sandburg

Dear diapered cloud bottoms.
Sleepy nursery in the sky.
White wind noise, now blessedly shushed.

I want to write with your light,
ice storm,
with your slick piles of chimes.

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A poem by alum Noah Stetzer (poetry, ’14) appears at the  HIV Here & Now website, a 365-day countdown in poems to 35 years of AIDS on June 5, 2016.

But if you do not worship, you will immediately be cast into the midst of a furnace of blazing fire; and what god is there who can deliver you out of my hands?
Daniel 3:15

Tied at my mouth, tongue knotted with my tongue,
this stone this knife this bitter herb—older
than Easter with rusty thumbnails digging
into the skin on the sides of my chest—
exhaled stale breath into my lungs, pushing
sand and hot and grit inside inflating
until I hovered halfway between floor
and ceiling my lips blistered with cold sores.

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NathanPoole1An essay by alum Nathan Poole (fiction, ’11) appears at drafthorse:

The Building Marked 1: A Vision of Industry in the South

“It punishes me to look, though there’s comfort in the keeping, a punishing comfort.”-James Still

I. Band Mill, Graham Co. lbr. Co.

On August 14th 1916, someone in the town of Andrews, NC, mailed a hand-dated postcard they purchased from Davis Pharmacy. Unlike the scenic cards one might find today at a gift shop in Western North Carolina, this was a photograph of the Graham County Lumber Mill—not a quaint, water-driven gristmill along some backwater creek, but a sprawling and muddy lumberyard. And the mill is not simply caught here, as if playing foreground to the mountains beyond. It is the subject. To ensure we don’t miss this, the printer embossed the top of the card in small block type with the words, “Band Mill, Graham Co. Lbr. Co.”

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A story by alum Leslie Blanco (fiction, ’07) appears in the Kenyon Review:

1
Chicago, city of crabgrass and gleaming lakeshore, listen.

Yanet was a bride when she first saw you, with a craving for babies like a craving for a smoke. She loved your margins, those peripheral neighborhoods where botánicas hid like spider webs in corners. How many times she passed and thought of a trabajito, a red candle for Santa Barbara (patron saint of the disenchanted), or a cigar for Changó (Yoruban and now Cuban god of revenge), and of course the foreign incantations that would vanish you for a moment like the fog that sometimes engulfed downtown completely. She loved your Aztec virgins, the ones who paraded up and down Western Avenue in red dresses so tight she could see every ripple on their thighs. She loved your seedy jazz clubs and the old foreign women no one bothered to stop and listen to.

Continue reading an excerpt of the story online. The full story can be found in the January/February 2016 edition of the Kenyon Review. You can also find a conversation with Leslie about the process of writing “My Amor, My China, Mi Delirio” and other topics at the Kenyon Review’s website.

 

 

A poem by alum Matthew Jude Luzitano (poetry, ’12) appears in Green Mountains Review:

The Extra Key

appeared from nowhere beside the others,
wrought iron, thick as a quarter.
Seven numbers engraved on its head, some inscrutable.
Charcoal landscapes in its valleys and plateaus.
Cut like the line of a cliffedge.

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Three poems by alum Dilruba Ahmed (poetry, ’09) appear at The Collagist:

Tale

We have
always wanted
a way home—

a way home
to that house
in the forest

a house by turns
loving and cruel

if only because
to love
is to suffer

inconsolably.
To be eaten
alive by it.

Continue reading Tale and Dilruba’s second and third poems, Resolution and Ghazal, online…