A piece by alum Nick Fox (fiction, ’09) appears at The Museum of Americana:

He was a dropout, a hobo, an oyster poacher. He was an excellent sailor, a less-excellent rancher, a deeply committed socialist, a boxing fanatic, an early ecologist. He was an alcoholic, a voracious reader, a boat builder, a failed gold miner and, in the language of the day, “a bastard.” He was perhaps the greatest adventure writer America has ever produced.

And he was the first writer whose work I fell in love with.

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A piece by alum Geoffrey Kronik appears at The Common:

Every morning I sat on the terrace and waited for him. Night would fade to gray dawn, the sun’s first rays struck the kilometer-high spire of Burj Khalifa,and then the sculler would appear. No other craft plied Dubai Creek at that hour, no working dhows or party cruises. River belonged to sculler and sculler to his boat, and I would sit with my coffee and envy him.

I envied him because he rowed, a sport I had long wished to try, and because he lived in sunny Dubai while I would soon return to wintry Boston. It was an anniversary trip and my wife slept late each day, her internal clock reset to holiday time. She never saw the sculler and I did not mention him: envy of a life you do not have is best hidden from those who share the one you do.

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An interview with alum Lenore Myka (fiction, ’09), conducted by alum Lynette D’Amico (fiction, ’13) appears at Fiction Writers Review:

Eudora Welty referred to setting/location as, “the ground conductor of all the currents of emotion and belief.” The more specific the place, the more resonant and meaningful the action. How does location/setting function in King of the Gypsies?

A long time ago, I heard an elderly writer lament the lack of setting in the stories his students were producing in some MFA program somewhere. I do feel there is an absence of setting in the stories of my students. My younger students say that “description is boring,” as if description were synonymous with place. And yet, when you read people like Carver or Beattie, writers who were called, for better or worse, minimalists, I feel a deeply rooted sense of place in their stories. It’s because their characters embody those places in some mysterious way. It’s ye olde iceberg, right? Even if the place doesn’t go into the story, it’s there in the writer’s mind and through some strange process of osmosis reveals itself on the page somehow.

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A piece by alum Goldie Goldbloom (fiction, ’11) appears at Hevria:

I first met Tzivia when her name was Susie. Actually, I was trying my hardest to avoid her because she was what was known as a bad girl and I was a goody-two-shoes, the teachers’ pet who sat right in the first row of desks, dead center. I got 100’s on all of my tests. I asked pertinent questions. I came prepared and did my homework weeks before it was due.

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A story by alum Mindy Friddle (fiction, ’05) appears at Steel Toe Review:

She found the crumpled receipt in his favorite pair of jeans. Silk camisole, fishnet black, garter black, peep-toe pumps red. One hundred thirteen dollars and fifty-one cents and thank you for shopping at Minerva’s Closet. Paid in cash. August 23 at 8:42 p.m. Yesterday. His bowling league night.

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A story by alum Peg Alford Pursell (fiction, ’96) appears at Storyscape Journal:

Tendrils and tangles of vines draped down the sides of the grape arbor in the backyard where nine-year-old Shelly lay underneath in the cool shade of late afternoon. Overhead, broad green leaves formed a thick mat blocking out the sun’s rays. A sliver of silvery white sky fractured through now and again. She opened and closed her eyes, squinting then softening her vision, focusing in and focusing out, experiencing a strange sensation of separateness and distance from her surroundings. She was in charge of how she could view her surroundings. The voices of her mother and father shouting in the kitchen carried over the yard. She tried to do with her ears what she did with her eyes. By concentrating hard she muffled the sound and turned inward to hear what sounded like her own mind fizzing behind closed eyelids. She could make sound move in and out like waves of the ocean, but it wasn’t easy.

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A poem by alum Noah Stetzer (poetry, ’14) appears at The Good Men Project:

The dark comes down faster now—you can see
the dim creep into the afternoon’s hot
blue sky maybe a warm hour sooner

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WalshcwFriends of Writers is happy to present, with the help of publisher Black Lawrence, an excerpt from Twister, the new new novel by alum Genanne Walsh (fiction, ’04):

Sweeping over the Arctic Archipelago, puckering nipples and chapping faces across Nunavut: in Grise Fiord, Resolute, Gjoa Haven; crossing into Manitoba, freezing the top layers of Island Lake, Gods Lake, nameless ponds, dew crunching underfoot. The front gathers, pushes over Winnipeg, Grand Forks, Fargo, Lincoln, on it comes, barreling through tornado alley to meet its match: spring! A current weaves a lothario path across the Gulf of Mexico, up through Anguilla, Santo Domingo, Port de Paix, Nassau, bringing the scent of cinnamon, slums, and rotting magnolia leaves, trailing across tobacco farms, mighty rivers, strip malls, state colleges, Army barracks, drained wetlands, golf courses. Pushing west into dry Pacific air. Blowing across the southwest, arid and punishing—imagine dustbowls, cow skulls, locusts, parched earth—rolling off the Rockies, faster as it flows east. Sisters clash and mingle in the wide open skies of the continent’s midpoint—dry meets damp, warmth amassed and shuddering into updrafts and squalls, rushed by the eager fingers of their cold northern lover. Thunderheads build, form, break apart, and build again, gathering strength unseen by those below. North, south, east, west, we’ll put these people to the test. Havoc’s in play, the winged creatures sense it, though even the crows don’t know the scope of what’s to come.

Hover at the midpoint. Turn the radio dial; hear snatches of the lives below. Listen.

Crows rustle on the wires over Main Street, over Mondragon’s Emporium and Dunleavy’s Fine Shoes (&Shoe Repair); over The Bluebird Café and the bank and the old town square. Black feathers lift and wheel past the liquor store and a shuttered B&B, past power lines, houses, cars and churches, over the cemetery, streets giving way to fields, farms laid out in a neat expanse: the vast acreage of agribusiness, a few sturdy family farmers holding on, green squares of corn and soy bringing order; and in the center, down the old county road, not far south of Johnson’s Creek and just past the Infamous Elm, Rose’s overgrown reluctant acres.

One small, tangly patch, that land of hers, the well pulsing like a heart. Listen.
Rose
Rose moved through the thickets with a sharp set of shears, pruning, smoking a cigar. Her dog, Fergus, dreamt and farted on the porch. All this growth and nothing to show for it. Lance would have been shocked. Her son was so good at making things grow—crops, blackberries, houseplants, hopes. There was nothing he couldn’t coax into life. A good kid, her soldier boy. Smart in every sense of the word. Fergus thumped his tail. He always knew when she was thinking of his number one love.

“That’s right,” she said to Fergus. “Him.” He scratched an ear in response. She had the sense of the sky pulling taut into a bow. No, she shook her head—a bowl. Overhead, a great bowl. Chipped at the edges but still functional.

Rose gave the stogie one final pull and coughed in a hard burst. Phlegm rose and Fergus lifted his head. She set her shears on the porch and peered into the well. Either the well was getting deeper or the sky darker; she couldn’t see her reflection. There must be a scientific reason: cloud patterns, air molecules. Or no reason at all.

“Onward, into the void,” she told Fergus. “Come on, let’s check the mail.” They walked down the long drive, gravel skittering, her anklebones clicking in protest.

“How did this happen to me?” she asked Fergus. There must be some mistake.

The well was getting deeper but the mailbox was smaller. Its little red flag was rusted upright, and faded letters spelled out her dead husband’s name. Theo. She reached in to pull at the contents and could barely wrench her hand free. Nothing but junk. Last week there had been another letter from her stepsister, on prissy peach-colored paper and smelling of lilacs, with the careful spidery lettering of a serial killer. Rose hadn’t read Stella’s letter yet—it waited on the mantel for her to build a fire, so she could throw it in and watch the flames.

The mailbox held a catalog full of crap she didn’t need. And more notices from the bank, the vultures. She tore the catalog and the bank’s window envelope into strips and threw the pieces into the air. Shiny paper caught in the branches. Then the metal box vibrated a little—something inside wanted her attention. Fergus looked up the drive and whimpered low in his throat.
She shoved her hand into the mailbox once more and pulled out a flimsy pale blue airmail envelope that had been caught in the back seam. Rose Red looped across the paper, in elegant script. Next to her name was a sketch of a long-stemmed rose with a single thorn.

You can read more about the book and Genanne at her website, genannewalsh.com

Four poems by alum Tommye Blount (poetry, ’13) appear at Four Way Review:

BAREBACK AUBADE WITH THE DOG

Thicker than its master’s thigh,
I saw that dog gnawing its leash—
and didn’t I know better? Knowing my fear

of dogs, I thought, “If I walk faster
and stay calm, then—”

That leash, thin as Yes, snapped. Of course
the dog snapped too and I
wasn’t fast enough—only two legs then

instead of four. I was afraid, yes,
but I didn’t run. With my eyes shut,

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Two poems by alum Jennifer Givhan (poetry, ’15) appear at Pank Magazine:

Billiards

Say it’s Main Street
& I’m holding a black 8-ball
against the felt of my palm—

its heft could dent plaster.
Say I’ve shot tequila
off a baby changing table

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