A story by alum Cass Pursell (fiction, ’96) appears at Shenandoah:

JT’s sitting at a dark corner table in Carla’s and raises his arm to look at his wrist and make a point on my running late. The watch’s illumination lights the stubble on his face in a tight glow, and the house band starts into another one of those guitar-driven jams that never seem to go out of style. Timmy’s younger sister shakes her hips at the mike and smiles at me as I pass. I give her a nod, and think there’s another talented girl who’ll have to settle for whatever she can get. I motion to Carla for a beer and sit down across from JT.

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An interview with alum Daye Phillipo (poetry, ’14) appears at Shenandoah:

Are there any parts of this poem that are autobiographical?

Oh yes, that group of eleven young turkeys really did straggle through my backyard one morning. We live on twenty acres—pastures, woods, and the Little Shawnee River running through—in the midst of farmland, so we see wildlife regularly: deer, coyote, raccoon, opossum, rabbit, squirrel, a fox now and then, and a host of songbirds and insects. I’d spotted adult turkeys before but never young ones, and never that large of a group. It was especially odd to see them so close to the house and garden.

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Four poems by alum Jayne Benjulian (poetry, ’13) appear at the Delaware Poetry Review:

His Boots
1
Jefferson’s boots
stand against the wall, they are small
for a man who shaved off the top
of a mountain for a view: Blue
Ridge and one thousand yards of mud

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Two poems by alum Jennifer Givhan (poetry, ’15), “Bird Woman” and “Bloom,” appear at The Boiler:

BIRD WOMAN

Sacagawea emerges from the hedgehog cacti
in the lot behind our crumpling house
heavy with cradleboard & mistaken

for a token of peace. Listen
to the rustling in the sagebrush.

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An essay by alum Rachel Brownson (poetry, ’14) appears at The Toast:

My grandparents’ living room was almost too warm after the cutting December wind outside, and the Christmas tree blinked pink and gold, ringed with piles of boxes. My cousins and their parents could be heard laughing and bickering in the den downstairs, and as we shed our chilly coats and exchanged the usual hugs, I looked around for my uncle Dave, wondering which version of him was here today. As we sat down I heard his heavy step on the deck behind the sliding doors, and he came slowly into view: tall in his dusty-looking coat, his round belly pressing at the zipper, his University of Michigan knit cap pulled down over his ears, cigarette smoke emerging in clouds from behind his graying beard. He was pacing the deck as he often did, walking on the wooden benches, followed closely by his hyperactive little black poodle. Seeing us, he stubbed out his cigarette, came into the room in a gust of cold, and made his round of hugs. “Rachelieu,” he said—pleased as always with the nickname he’d found for me—as he wrapped me in his big smoky arms.

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A poem by alum Laura Maher (poetry, ’14) appears at The Collagist:

The night I watched the hawk rip apart a pigeon
in a second-story windowsill,
I was dressed as a bird.            Red feather and flame,
men kept remarking, “You make a good bird lady.” Feathers drifted

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A story by alum Leslie Blanco (fiction, ’07) appears at Oblong Magazine:

We used to go shopping at stores we’d been told we could not afford, buy nothing, stand around smelling things at perfume counters, tap our feet at the saxophone players outside. Snow flakes blew innocently in every direction, as if they’d been born in mid-air. No one rushed us at all. Once, at a football game, we sat alone, without our men. We ate gummy bears, chocolate kisses, hot chocolate, pretzels, coffee, encouraged each other to eat more. They couldn’t tell us not to. She had a house she’d lived in thirty-five years. There were pictures of gap-toothed children on the walls, home-made rag dolls in clear plastic boxes in the closets. I liked to breathe the air there. I liked to hole up against winter and take the plastic lounge chairs out to the shade of the oak when spring finally came. Because it made me feel better she hid things from her husband too: the chocolate chips in the cupboard, the price of her Talbot’s shorts.

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A story by alum Lara Markstein (fiction, ’13) appears at AGNI Online:

I.

When I was eighteen, I lived in a small shared flat with an American and a German on an alley off Nguyen Thi Minh Khai in Saigon. That was the year I practiced waiting—for the monsoons to end, my money to run out, the coffee at cafes to muddy the sweetened condensed milk I drank by the glass between English classes I pretended to teach. Kirsten—the American—called herself a Communications Director for a nearby law firm. Her job consisted of poaching articles for the company newsletter and I imagined her boiling paragraphs until the words toughened in white, rubber strips. Hans was involved with elevators—the exact nature of his work was too difficult to understand. He had wanted to fly airplanes once, but after failing to certify four times, had packed a single army duffel and headed east, still weightless, as he would be for the rest of his life.

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An essay by alum Genanne Walsh (fiction, ’04) appears at Spry Literary Journal:

Years ago I went to SFMOMA and saw the work of Joseph Cornell, maker of strange wonderland boxes. His art was new to me and entrancing: surreal and nostalgic and beautiful. I went to see the show again, and read a couple of books about him. And years after that I wrote a character into my novel Twister who I realized has the spirit of Joseph Cornell: alienated, sexually repressed, and maybe a little creepy, but acutely observant and creative. My character, Scottie, is not overtly Cornell in any way you’d recognize. He doesn’t make shadow boxes in his mother’s basement in Flushing. But Cornell’s fictionalized spirit is there. Although I didn’t consciously summon him, he showed up when he was needed—he made me see something I might not have found otherwise.

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An interview with alum Rolf Yngve (fiction, ’12) appears at the Kenyon Review:

What was your original impetus for writing “A Prerogative”? Did you begin with the setting? With a character? With a line of dialogue or description?

I think the story grew out of a strange coincidence of all those elements. I was studying under Stephen Dobyns at the Warren Wilson Program for Writers—which means I was also studying Dobyns, reading his poetry—and reading works he assigned in hopes they would help me learn how to write this novel I started after Kevin McIlvoy suggested a short story might go farther.

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