2019 poetry alum Sarah Audsley was recently featured in Defunct. Read an excerpt of Audsley’s poem below:

Still Life with Watermelon Seeds, Mannequin, Dead Mouse

Serrated edge flash shards of light on white walls, carving

up the watermelon slices that drip juice down our thin

brown arms, my father salts his pink slice-smiles, tiny

grains melt in. A neon sign, in my mouth, this shock of fruit-flesh.

Don’t swallow the seeds! he warns & I want to so bad & I’m bad

under the covers, eyes shut, I see twisted vines tumble, roots

embed in my stomach’s black, new green shoots slide

over my thick pink tongue . . .

Read this poem in its entirety here: https://defunct.site/issue/9/authors/64/sarah_audsley/124/still_life_with_watermelon_seeds_mannequin_dead_mouse

2019 fiction alum Candace Walsh recently interviewed fiction faculty member Lan Samantha Chang for Craft Literary. Read an excerpt of their conversation below:

Photo credit: IfeOluwa Nihinlola

CW: What was it like to write an homage to The Brothers Karamazov? I noticed that women characters had a more well-developed presence in The Family Chao. And the perspectives of family members of a Chinese-American family who own a Chinese restaurant in Wisconsin allow readers to notice, firsthand, micro- and macroaggressions white individuals and mass media inflict on the Chaos and other Asian characters.

LSC: I did consult Margot Livesey’s essay on homages in The Hidden Machinery: Essays on Writing. She shared that while writing The Flight of Gemma Hardy, an homage to Jane Eyre, she had to put Jane Eyre aside for years. One of the first serious steps I took was to reread The Brothers Karamazov and take notes on the entire novel, but then I had to put it (and the notes) aside. It’s such a tremendous book; it could have scared me off from working on my own novel for years. In that vacuum I was able to gather the confidence to try to do what I was interested in doing. Pretty quickly, after I started drafting, I realized my book was going to be its own thing, get its own energy from itself. For one, the characters of Katherine, Brenda, and Alice each developed her own concerns that set them apart from their Dostoyevskian prototypes. The setting, subject matter, and characters were also obviously entirely different: an immigrant, restaurant family in the Midwest. As I became interested in their concerns as a family, I was able to bring my project into its own.

Read this interview in its entirety here: https://www.craftliterary.com/2022/02/01/interview-lan-samantha-chang/

2016 poetry alum Jill Klein was recently featured in the Cider Press Review. Read an excerpt of “On the Patio” below:

On the Patio

Every day something green
snaps by, in front, behind. Again.

A hummingbird mother,
her nest cupped in the rose bush next to me.

Two eggs the size of jellybeans,
soon birds so tight in the nest

one sits on the other
until they fly,

following the mother’s call,
her breeze,

as she hovers, eyes gleaming…

Read this poem in its entirety here: https://ciderpressreview.com/cpr-volume-23-6/on-the-patio/

Poetry alum Kristen Staby Rembold was recently featured in The Hopper. Read an excerpt of Rembold’s poem “The Sower” below:

The Sower

Since she spent her days as a mother will—
always with a child,

their fingers roots and she the soil—
she did as any woman would,

savored the pitch-dark
before the dawn, or after the bedding-down…

Read this poem in its entirety here: http://www.hoppermag.org/the-sower

Poetry faculty member and 1990 alum Daniel Tobin was recently featured in Berfrois. Read an excerpt of “Triumph and Laments” below:

Triumphs and Laments

(the mural by William Kentridge)

As though these words were shadows sprayed
across a wall of travertine
such figures resurrect the scene
blanched to presence on this page—

stone, really, the white river wall
stenciled with attributes of moss
and merely human detritus,
its negative space colossal.

Here within this running frieze
Romulus murders again his twin,
soldiers behead barbarians
while a saint sighs in ecstasy.

Here lovers in a fountain splash
wildly for La Dolce Vita,
as the broken march defeated
to where the ghetto flies to ash.

Read this poem in its entirety, as well as another, here: https://www.berfrois.com/2022/01/triumphs-and-laments-and-roar-by-daniel-tobin/

2010 poetry alum Laura Van Prooyen was recently featured on the podcast “Poetry For All.” Hear Laura read her poem “Elegy for My Mother’s Mind” at the link below.

https://poetryforall.fireside.fm/38

2016 poetry alum Joseph J. Capista was recently featured in Thrush. Read an excerpt of “Spoila” below:

Spoila

  —​After John Lowden’s Early Christian and Byzantine Art

How do
you
picture
God
should
images
of Christ
show Him
as young
& beardless
with long
dark hair
& curling
beard
or as
a lamb

Read this poem in its entirety here: https://www.thrushpoetryjournal.com/january-2022-joseph-j-capista.html

Chloe Martinez, a 2009 poetry alum, recently had two poems featured in TriQuarterly. Read an excerpt of “At the Prado, Age Eighteen” below:

At the Prado, Age Eighteen

When I finally got there let’s say it didn’t matter
that on the way over as I was crossing the street

a woman offered me flowers, and I didn’t buy,
and she hit me with them, shouting, and the light
changed and I fled; didn’t matter whether Madrid 

felt cold and severe and rainy
or cold and magnificent and rainy;
made no difference, even, that on New Year’s Eve

I lost track of my friends
and wandered rain-slicked streets alone
because I was uninterested in a stranger’s 

hands on me—call me a prude, whatever,
that’s how I felt that night…

Read this poem in its entirety here: https://triquarterly.org/issues/issue-161/prado-age-eighteen

Robert Thomas, a 2002 poetry alum, was recently featured in TriQuarterly. Read an excerpt of Thomas’s poem “Sonnet with Quartz and Rice” below:

Sonnet with Quartz and Rice

The two-edged sword of being human and
knowing it: blades of grass never compare
themselves to an oak or look in mirrors.
I never love you more than when I watch
you look at your reflection and relish
what you see. Only a human would do
something so dirty and shrewd and divine.

Read this poem in its entirety (and hear Thomas read it) here: https://www.triquarterly.org/issues/issue-161/sonnet-quartz-and-rice

Poetry faculty member Dana Levin was recently featured in the American Poetry Review. Read an excerpt of Levin’s poem below:

How to Hold the Heavy Weight of Now

She said, “You just made this gesture with your
body–” and opened her arms as if she could
barely fit them around an enormous ball—

“Make that shape again,” she said, and so I did.
“Now let it change,” she said, and I did—

slowly closing the space between my arms,
fingertips converging until they touched—

Read this poem in its entirety here: https://aprweb.org/poems/how-to-hold-the-heavy-weight-of-now