Poetry faculty member Connie Voisine was recently featured in Scoundrel Time. Read an excerpt of “Black-Crowned Night-Heron” below:

Black-Crowned Night Heron

The girl is alive—someone caught her
on video. The girl is alive, alive alive,
the women who fed her one night                  

cackled at that glimpse of her
face in the freezing forest and I
heard them toast her wild will. How

we accepted such things
when we were girls, but why should
a person expect a group of men might

toss her into a truck, that anyone seeing
her small body walking by should
talk about it unpunished, a joke?

Read the rest of this poem here: https://scoundreltime.com/black-crowned-night-heron/

Erin Stalcup, a 2004 fiction alum, was recently featured in Isele Magazine. Read an excerpt of “Anthony Bourdain” below:

Anthony Bourdain

At some point  we just admitted we didn’t know how to mourn. We, the de-ethnicized Americans. Jewish people know how to mourn. Mexican people know how to mourn. Indigenous people know how to mourn, within their individual tribal customs. But some of us have been here so long we forgot where we were from. A cultural framework shows you what to do, makes some decisions for you so you’re less at sea to process this thing that is impossible to process. They are gone. So. Wear black. Wear white. Sit shiva for seven days, forget about comfort, cover the mirrors, forget about appearance, that doesn’t matter now. Then stand up and go back to your life. Walk in jazz funeral processions, and the music will move from dirges to dance tunes. Chop up the body and feed it to the vultures. Bury the dead in a coffin shaped like something they loved in life, a rose or racecar or guitar. A year after their death, disinter the body and dance with it, dress it in new clothes, throw a parade, tell them all the news. Dismember, roast, and eat the dead. Kill a member of another tribe to satisfy your rage. Throw a shovelful of dirt on the coffin, each mourner. Take pictures of the embalmed body. Keep locks of hair. Leave the body with useful tools, your best jewelry, flowers, prepare them for the other side. Some communities still know what to do. But some of us lost loss, forgot.  

The Irish Americans started inviting us to their merry wakes, their funerals. It helped. To celebrate their life joyfully, be intimate with the body, it worked for us to collectively remember why it was worth it to love them. Don’t cry, it will keep the soul here. Then to watch a public performance of mourning—that helped, too. We could watch a woman keen, and it made us feel more pity and sorrow than if we were to cry, and it purged us. 

Maeve MacNamara—the most famous keener in the world—knew, though we didn’t, that the term catharsis was originally a medical term for the expelling of menstrual and reproductive fluids. What the body doesn’t need anymore, to restore balance. We all knew the term as the reason we turn to art, the reason seeing someone else play out a tragedy helps us with our own. When the keener straightens her shoulders, lets us see her tears, then walks away, we follow her out of that space. 

So, we agreed upon consensual reverse colonization—Ireland didn’t impose their cultural customs on us, but they let us adopt them.   

But of course it doesn’t totally work.

Read this piece in its entirety here: https://iselemagazine.com/2021/02/03/anthony-bourdain-erin-stalcup/

Poetry alum Leigh Lucas was recently featured in the LEON Literary Review. Read an excerpt of “For Antoine de Saint-Exupéry” below:

For Antoine de Saint-Exupéry

I see myself in the child in you. Below us I see
                                                                                                       fields of sand. Breath is
                            all        there is
                                                    between us.

This airplane is aluminum and tin, thin
                                        between us and a zillion stars.  

I carry the canteen gently to your cracked lips, cradle
your head and let you drink. You clear your throat and tell my favorite story.

Your voice, the engine,
                 hum,

                    until I drift off              
                                                                  and we drift,                 we drift.

Read the rest of this poem here: http://leonliteraryreview.com/issue-6-leigh-lucas/

       Brother
 
 
Because he can’t tell his own story—
 
            may he never sleep another night in jail.
            May he never shiver heroin sweat, flea-bitten, rib-broken.
 
Because he forgot that we’d walked with our dog—
            
            may he never forget the blue-spotted salamanders
            we found in muddy banks,
            or how we swung by the rope into those rough waves.
 
            May he sing all night, dream of a sunflower woman.
 
And let me forgive him, brother and consolation—
            
            though he dealt me a bad hand,
       and the price rose.
 
Let me not forget him, brother and sorrow—
            
       returned from prison, those five years
            engulfing him like a rubber suit,
            his cheerless eyes pondering me—
 
                                                my every fortune.

Fiction faculty member Kevin McIlvoy was recently featured in the LEON Literary Review. Read an excerpt of McIlvoy’s poem below:

Gravitationally Completely Collapsed Objects, as Observed from A Circumstellar Accretion Disk

At
last
in
a
triumph
of
botany
there
is
a
black
rose
named
Baudelaire

&
a
black
tulip
named
Cup-a-joe

&
a
morning
glory
named
Grimm
resembling
a
black
hole.

Humankind
is
not
done
blackening

&
isn’t
that
a
lesson
we
should
learn
from
when
we
are
naming

children
hurricanes
pet
fish
new
parks
song-based
foods
bomb-kits
cookbooks
twitter
poems
grazing
stars
dinner
plates
extinct
insects
aging
brains?

Read the rest of this poem, as well as three others, here: http://leonliteraryreview.com/issue-6-kevin-mcilvoy/

2021 poetry graduate Dane Slutzky was recently featured in the LEON Literary Review. Read an excerpt of “My Battery is Low and It’s Getting Dark” below:

My Battery is Low and It’s Getting Dark

 For Opportunity, the Mars Rover, 2004-2019

No human programmed
you to be poetic.
You didn’t craft

a sentence, but
sent data, after a
delay via satellite,

in an ontological
structure—battery:
low. Tau level: rising.

One last grainy
half-complete photo
of the sky, stars streaked

with lines. We offer
animal experience: hormones,
lactic acid, sorrow.                  

Read the rest of this poem here: http://leonliteraryreview.com/issue-6-dane-slutzky/

2020 poetry graduate Eric Cruz was recently featured in the LEON Literary Review. Read an excerpt of “Harbingers” below:

Harbingers

  1.

All morning my throat catches,
the wind gray and wandering
along the spine of grief
hot from the bellies of howling dogs.
The windchimes stir, agate
clinking like a thousand well-learned prayers.

       2.
While hearing my children shriek
in Spanish and English–playtime,
two swings rising higher— 
a squirrel rests like a stone atop
the fence. 

Read the rest of this poem, as well as two others, here: http://leonliteraryreview.com/issue-6-eric-cruz/

Poetry faculty member Sandra Lim was recently featured in the LEON Literary Review. Read an excerpt of “April” below:

April

Showers overnight. Coffee on the desk,
Untasted, now cold.

The birds have been silent all morning.
But you still suppose

The world will bound toward you,
Opening its gardens and doors!

The pale, irregular blush of Winter Daphne
Spreads outside and upward.

Read the rest of this poem here: http://leonliteraryreview.com/issue-6-sandra-lim/

Poetry faculty member and alumnus Daniel Tobin was recently featured in Berfrois. Read an excerpt from “At the Grave of Teilhard de Chardin” below:

At the Grave of Teilhard de Chardin

Let the inhabitants of the rock sing…
Isaiah, 42:1

(Current)

In this river’s perpetual haste I am already always
arrived, always already departed, the constant
wanderer among the hosts of different worlds,

arrow and mark, the course through which I make
things to make themselves, everything irreversible,
the syntax in the enzyme’s shape, the atom’s charges

composing from within into a grammar of things—
autocatalysis of particle into molecule into cell
until the eyes form the way swirls form in water,

patterns risen out of patterns, until the patterns
desire to know. This sweeping out of savannahs,
over continents, across steppes—their driven waves—

attests the spur: my own long indigent venture on.
Take this one with his kit-box, his tools, the pressed
moons of bread he keeps to offer Mass, he’s shuttled

from Auvergne to Egypt, Sussex to Belgacoum,
has barged the Huang-ho, mule-trained the Gobi,
yet he knows all of space “is a veil without a seam.”

Read the rest of this poem here: https://www.berfrois.com/2021/01/from-at-the-grave-of-teilhard-de-chardin-by-daniel-tobin/

The 2021 Wally/Goddardite Alumni Conference will be held from Wednesday, July 14th to Sunday, July 18th.  

Information regarding registration will be released AFTER the March Conference.  There is still time to attend that spring fling and you can do so by filling out this form. Which you, like, totally should. 

Now, you are undoubtedly wondering, is the summer conference in July going to be one of those beloved and much missed events in which we all gather at an agreed upon lovely locale and spend a few glorious days smiling at one another across the quad and sharing anecdotes of supervisors past whilst brushing our teeth in communal bathrooms? 

Alas, dear ones, it will not.  

We cannot go back, but the path to the place where we can be with one another and do so freely and without reservation, it seems reasonable to assume, stretches out beyond this summer.  

But we are learning to make do, to flourish, even, in one another’s company in this digital era and so we will again.  It’s not enough, but it’s enough.  We are scheming, too, of ways we can get creative about region-based, supplemental in-person activities. 

Stay tuned.  More to come.  

Dearly,
Ashley & Jen