An excerpt “Reclining Nude (1865)” by Francine Conley (poetry ’14), published by Pink Panther Magazine.

Reclining Nude (1865)

The shape of her is not committed to the bed on which she lounges, 
feet crossed, one big toe stretched upward as if in her mind a word 

just flared like vigil.  Her gaze lingers on an open book set next to her 
on the bed.  As the one looking I enter her emergent nakedness 

as if it is available to me, and yet not.  Behind her, a striped duvet, 
disheveled by a sleeper who thrashed about in her sleep.  

Even in dreams a body grasps for what it can.  Her other hand 
doesn’t care.  It sits slack by her side, stilled by what she reads.  

[… continue reading at Pink Panther Magazine.]

An excerpt from”Chasm” by Hieu Minh Nguyen (poetry ’19), published by Poetry Daily.

Chasm

Monthly, my family calls from Vietnam
to inform us about the dead.

Their voices amplified through the speakerphone
while my mother sits upright in her bed

& performs a variety of mundane tasks:
sewing, word finds, removing nail polish.

Of course I want to assume things:
dead body, dead butter-yellow lawn—

If I try hard enough, I can gather
each story, like marbles, into my mouth

spit them into the drain & watch                                    
as hair climbs out.

[… continue reading at Poetry Daily.]

An excerpt from”Lines Writ on the Backside of a Dozer Invoice” by Jennifer Sperry Steinorth (poetry ’15), published by The Boiler.

Lines Writ on the Backside of a Dozer Invoice

Squirrel crossed the lawn just now
Where old oak used to be
Before our home’s expanding wings
Made wicker ware of tree.

[… continue reading at The Boiler.]

An excerpt from”August Song of Flight” by Jennifer Funk (poetry ’16), published by The Boiler.

August Song of Flight

You unshuckable masterpiece of conviction and collapse, I shiver
in the light of your particular eclipse. You have a way
of pickling my tongue and rubbing out all my best
learned lessons: now, is when I walk away, now, is when
I knit my lips together and keep myself clothed, oh,
but the plummy succor of your mouth
and the fractured shadow of your breath
raking hesitation from my limbs: here is how
I ruin in a field and flatten the cornstalks. 

[… continue reading at The Boiler.]

An excerpt from”The Problems of Humanity” by Megan Pinto (poetry ’18), published by Four Way Review.

The Problems of Humanity

I thought we had solved them all, these problems of humanity:
how we die, and why, and who it is we ought to be.

I’ve learned to count to infinity, to touch my toes, to plug
my nose when I jump off diving boards; I know how to exhale

when waxing my body, how much is too much to drink
at parties, and that, when eating from a buffet

I must be first in line. If there is some part of me
I cannot educate, I’ll compensate with technology:

Google translate has gotten me through dates
with a Frenchman in Prague, an Armenian in Italy.

[… continue reading at Four Way Review.]

An excerpt from “Crossing the Jordan” by Matthew Alberswerth (poetry ’17), published by Prometheus Dreaming.

Crossing the Jordan

Did the fish hear me when my ankle broke the surface of the water?
They followed your steps with their glassy eyes.

​What moved the branch as I walked beneath it?
It was a hungry wind.

When it touched my hair did I feel cold and scared?
Only as scared as you should. Only as cold as you were.

[… continue reading at Prometheus Dreaming.]

An excerpt from “Voyage of the Beagle” by Peter Schireson (poetry ’17), published by Vox Populi.

Voyage of the Beagle

It’s midnight, and I 
am a dotted line.
On the bar tv, there’s news 
of another spill, and a cold front 
from the Arctic, 
because there is still an Arctic, 
followed by pictures from Syria—
bony lips, black and green, of children 
gassed, eyes staring, blue tongues lolling.

[… continue reading at Vox Populi.]

An excerpt from “Nutmeg and Mace” by Rose McLarney (poetry ’10), published by New England Review.

Nutmeg and Mace

Spices were currency once.
Rent paid in peppercorns.

Can my dishes, so curried they amber the plates
with stains after, ensure the guests I serve stay?

No, you feed guests so they may have strength
to continue the journey away.

A good mother feeds a child so she’ll grow 
large, too large for the house and leave.

There’s no returning to the cinnamon- 
toast–scented school mornings.

[… continue reading “Nutmeg and Mace” as well as an interview with Rose McLarney (poetry ’10) at New England Review.]

An excerpt from “Habitat” by Christy Stillwell (fiction ’14), published by The Rumpus.

Habitat

n fifth grade Charlie Bell called JJ an abortion. He’d never heard the word. His mother said, “It’s hard to be ten.” She was a nurse and explained using terms like “aspirate” and “terminate,” words that left him with the impression the doctors ate the baby. Still, it was an action. A person could not be an abortion.

This satisfied him until he was twelve and Jupiter, his eighteen-year-old sister, had to have one. The family normalized it as best they could, but he was told there was no need to speak of it outside the house. Telling people was up to Jupi. Being in seventh grade, he didn’t think about babies much. The whole subject existed inside a gooey, cosmic muck. For two days, Jupi didn’t come out of her room, except to use the bathroom. Even the sight of her closed door made him vaguely sick. JJ didn’t know whether he was pro-choice or pro-life, but by then he knew you were one or the other.

By age fourteen, the subject was largely forgotten. Charlie Bell had dropped out of his life, along with Legos, soccer, and juice boxes. Braces had straightened his teeth; his hair was shiny and thick. JJ ran track and played saxophone in the jazz band with his best friends, the Ts—Taylor and Todd. A part of him believed he had stars on the inside. His blood was starlight. It came out his eyes, was in his breath.

[… continue reading at The Rumpus.]

An excerpt from “Tunnels” by Emily Sinclair (fiction ’14), published by Atticus Review.

Tunnels

Opening

O tunnels! Mysterious and misunderstood. We don’t love you for your very own selves. We only love you for what you do for us, the way you get us from Point A to Point B. You connect the past to the future. But you are mere means to an end, a place we visit only to escape.

BOrn

The birth canal is the first tunnel. It prepares us for the ones that come after. From the darkness there arises an inchoate and intuitive sense of destination, a drive, without understanding of what awaits. We can only go forward, into the bright unknown. The future is unimaginable.

When I was born, the mothers were routinely given drugs that made them sleep through delivery. In expulsion, the mother gives life. This is her job: to hold her child close and then to push her out.

[… continue reading at Atticus Review.]