Ed Porter

An excerpt from the poem “My Black Friend” by Edward Porter (fiction, ’07) published at Miracle Monocle:

My Black Friend

          I don’t have a black friend, that is to say, a Black friend, an African American friend. It was the TV the other night that got me thinking. A commentator, a professor at the university, an African American woman, was saying that the problem was that so many white people let themselves be isolated.

          “How many white people say they’re not racist, but don’t actually socialize with African Americans, have never had African Americans in their homes?”

          I had to admit, that was me. The professor’s voice was full of anger, of outrage. Although we’ve never met, I felt her anger attach itself to me. That seemed only right. It was the truth. She was speaking to me. She knew who I was.

          I’m a middle-aged single white woman who lives in a small city in the Midwest. We don’t have many black people here. I work at a bank, taking care of the database. The bank has no black employees. In the downtown where I work, not many of the businesses have black employees. The black people I see are usually either janitors or the homeless. Obviously, that fact in itself is witness to the racism we struggle with in this town.

          Given my actual situation, it’s difficult to think about being friends with a homeless person. I know I shouldn’t be limited that way, but I am. If I were friends with a homeless person, white or black, then I would essentially have to take care of them. It’s too unequal.

          I could be friends with a janitor though. I’m not better than a janitor just because I write code for a database. I would go to a janitor’s house. I would have a janitor to my house for dinner. If the janitor at my bank was black, perhaps I could strike up a casual friendship, over time. I’d notice something about him, maybe the ball cap of a team from a faraway city and ask him about it. That would give us a start. Then, eventually, I could ask if he wanted to come over for dinner. […continue reading here]

An excerpt from “the way a flock of black birds sets off in one large wave” by Leslie Contreras Schwartz (poetry, ’11) published at The Missouri Review:

the way a flock of black birds sets off in one large wave

if a black
flutter

of bullets
takes the universe
of my child / friend / neighbor
family

away

just lay my body
down in a field

let it waste
let only the birds

remember my body
and let my child’s name

be contained only
in their unreachable

flight

because no one
will deserve to say
his name, not one person,    […continue reading here]

Congratulations to Robin Rosen Chang (poetry, ’18) for winning first place in the Poet’s Choice category of the Oregon Poetry Association’s Fall 2018 Contest. Below, an excerpt from her winning poem, “Dream: At the Beach.”

Dream: At the Beach

They were sitting at the edge of the ocean, my mother and Eve, digging for mole crabs. Amphipods. They’re prehistoric, my mom says, like horseshoe crabs. Look at their exoskeletons. Like little armored torpedoes. Or drills. Their legs tunnel them backwards into the sand.

Eve catches one, holds it between her finger and thumb, examines its tiny alien face. Its eyes. Planted at the end of two stalky appendages, next to their antennae, my mother said, trying to teach Eve, like she’d done with my kids and me, unaware Eve already knows.

Watch out for gulls! When I was still married, one tried to steal a fish right from my husband’s hand. Then they’re looking for tiny coquina clams, shiny pink and purplish-gray ones, each with its tiny muscled foot burrowing it, before the next wave. […continue reading here]

An excerpt from “CONSENT by Jennifer Funk (poetry, ’16) published at Four Way Review:

CONSENT

As if you could dig it up like a carrot 
or shake it loose from the branches.  

As if you could thwack it in half 
like a coconut, could drink the milk

sloshing inside and be revived, as if you could command it 
onto your tongue, as if it had a taste,

as if it could be poured or caught or captured or held 
or worried loose like a tooth, a knot, a nail, as if it were an eye

fixed on a snake bisecting the path.  
As if it could be summoned and hooded,  […continue reading here]

An excerpt from “MIRROR ROOM, MEHRANGARH FORT” by Chloe Martinez (poetry, ’09) published at Four Way Review:

MIRROR ROOM, MEHRANGARH FORT

Jodhpur, Rajasthan

You live in a high fort above a blue city. The rooftops below
speckled with laundry. At night the distant echoes
of a hundred brass bands, a hundred weddings. The blue
of the city is not quite robin’s egg, not exactly
the blue of chicory. Outside the city is the desert.

Don’t tell it like a story. It will sound too beautiful.
You stand on a high parapet, in the rustle and coo
of pigeons, under filigreed eaves. When you step over red
velvet ropes, leaving the museum behind, you find rooms
empty as the moon, floors carpeted in desert silt.

In one bedchamber-turned-cave, you hold your breath, you bow
before a rank hill of bat guano. You touch niches
for the ghosts of little lamps, and frescoed girls dance
with gods along the wall. Plaster dusts your fingertips.
Stained glass windows turn your thin skin rainbow. You take

[…continue reading here]

An excerpt from “Litany in the Locrian Mode” by Daniel Jenkins (poetry, ’18) published at catheXis:

Litany in the Locrian Mode

The arthritic dog sleeping upside down, paws dream-wincing—

 

Black-caked ashtrays and cigarette smoke—

 

The back deck. The yellow mosquito bulb—

 

Band march cloud scuffle, breaking gray clay sky—

 

Budding trees, no ballad, no mezzo-soprano—

 

Gregorian chant, or any chant for that matter—

 

Bottom shelf brandy and pink wine—    […continue reading here]

An excerpt from “SELF-PORTRAIT WITH SINGLE MALT SCOTCH AND GUITAR HERO” by Ross White (poetry, ’08) published at The Indianapolis Review:

 

SELF-PORTRAIT WITH SINGLE MALT SCOTCH AND GUITAR HERO

Alternately, Self-Portrait on a Wednesday Night.
Alternately, This Keeps Me from Engaging
with a Friend Who Continually Disappoints Me.
Alternately, I Hardly Leave My Basement.
Alternately, The Soft Forest of Carpet
Beneath My Bare Feet Will Suffice as Refuge.
Alternately, If I Could Shrink Myself and Wander
Its Great Fibrous Oaks, I Might Never Regret Solitude.
Alternately, Self-Portrait With Thunder In My Bones.
Alternately, I Got into an Argument Over Drowning,
and Whether a Drowning Man’s Twitch Might  […continue reading here]

An excerpt from “Mother of Rock” by Tiana Nobile (poetry, ’17), one of two poems published at The Indianapolis Review:

Mother of Rock

The familiar clack of shoes against tile, click
of the key in the lock. Wait and rock.

Your gaze silent and grim, I long for the touch
that doesn’t come.  My tongue caught

on the cage of my mouth
tart with sour milk.

In the picture from your wedding,
a white dress of lace. As if held  […continue reading here]

An excerpt from “36 text messages, 16 missed calls” by Chloe Martinez (poetry, ’09), one of two poems published at The Indianapolis Review:

36 text messages, 16 missed calls

There is an urgency with which they write and call,
starting after work, about the seven boxes
of laminate flooring that somebody—but not me—
is giving away: free free free!!! The flooring is somewhere

in Sacramento. I have their names and their numbers.
Their inquiries range from casual—“Heyyyy my name’s
Jose do you still have the boxes”—to formal: “Good evening,
I am interested in the laminate flooring posted

on Craig’s List…” Some take a pleading tone—“if you still
have the flooring, I’ll come and get it right now ???”
One even says, “I need flooring desperately!”
A lady named Dee writes a careful, warm message  […continue reading here]

An excerpt from “Pantoum with Lines from Virginia Woolf’s Diary” by Angela Narciso Torres (poetry, ’09) published at Swwim:

Pantoum with Lines from Virginia Woolf’s Diary

Truth is, one can’t write about the soul. Looked at, it vanishes.

Why have I so little control?

One wants to finish sentences.

To go adventuring on the streams of other people’s lives.

 

Why have I so little control?

This is the normal feeling, I think.

To go adventuring on the streams of other people’s lives.

I take a census of happy people, and unhappy.

 

This is the normal feeling, I think.

Happiness is a little string onto which things will attach.

I take a census of happy people, and unhappy.

How Vita’s inkpot flowered on her table.  […continue reading here]