An excerpt from “Guernica,” one of two poems by Rebecca Foust (poetry, ’10) published at Salamander:

Guernica

Do you still look and see that it is good?
You spoke, then saw what you’d wrought.
We are the monster in the mirror, God,

your world made of words. Let there be untied
sky from earth and sea, night from light,
and you looked and saw that it was good.

With spit and a fistful of dust, you made
the first man. Then to make Eve, took him apart.
You made everything, even the mirror, God

and it’s all carnage. A cell cleaves to breed.
Before one war ends, the next one will start,
then the next—still looking? Still good?—

[…continue reading here]

An excerpt from “Interstate” by Kate Lister Campbell (fiction, ’18) published at Salamander:

Interstate

We play games in the backseat, the children and me. Is it bigger than a breadbox? Smaller than a house? Everyone’s a good sport before lunchtime but, by afternoon, our minds are tired and the games become more brutal.

JXQ!” yells Hugh, as a car passes us on the right. He reaches across me in the middle seat to pinch his brother, James. You get a pinch for any license plate that starts with the same letter as your name. This plate reads MZ7 but James is too short to see it. I catch Hugh by his wrist.

“Quit cheating.”

“Ow, jeez,” he says, slumping away from me.

Elise lies behind our heads on the wide stretch of felt beneath the Cadillac’s rear window. She’s small for her age, a runt in the womb who somehow survived while her larger sister didn’t. She plays her own silent games with the passengers in the cars behind us, laughing at gestures we can’t see. When she’s bored, she crawls down over my shoulder and climbs into the front seat between her mother and father. Grace pulls Elise’s hair into a tight ponytail. Edward lifts her hand onto the wheel and pretends to let her steer. James, Hugh, and I squirm, wishing we had Elise’s freedom.

[…continue reading here]

An excerpt from “Weights and Measures” by Rose McLarney (poetry, ’10) published at Shenandoah Literary:

Weights and Measures

The racehorse crossing the line shining clean because he never had to see another step in front of him, kicking back mud, who the viewers never for a moment had to consider in a position that wasn’t first—that’s how he thought of himself. I always came out ahead, he said.My grandfather, who we are burying. In one-hundred-degree heat, the flowers sagging, sweat stains swagging the underarms of every shirt, logging trucks thundering by on the highway, waving their scrappy flags, not of triumph, on oversized loads of felled trees.Not in seconds, feet, or furlongs—by any measure others share—would he have been determined a victor. But he would have fixed his eyes on the proud parts of the day with the focus of the honor guard come to give the military salute, firing guns in unison, folding the flag from his casket crisply, with a ceremony of utter certainty. The confidence with which some move through the world (particularly men, white, of a certain generation)… I am uncomfortable in the most basic element of existence, my flesh my dress bunches against. But he fought hard to stay in his skin, no matter how it wizened.For some horses, who do have mud flung in their eyes, it is a mercy, in that it blinds them to their place, to the finish ahead. We lower his body into the red clay. […continue reading here]

Ed Porter

An excerpt from the poem “My Black Friend” by Edward Porter (fiction, ’07) published at Miracle Monocle:

My Black Friend

          I don’t have a black friend, that is to say, a Black friend, an African American friend. It was the TV the other night that got me thinking. A commentator, a professor at the university, an African American woman, was saying that the problem was that so many white people let themselves be isolated.

          “How many white people say they’re not racist, but don’t actually socialize with African Americans, have never had African Americans in their homes?”

          I had to admit, that was me. The professor’s voice was full of anger, of outrage. Although we’ve never met, I felt her anger attach itself to me. That seemed only right. It was the truth. She was speaking to me. She knew who I was.

          I’m a middle-aged single white woman who lives in a small city in the Midwest. We don’t have many black people here. I work at a bank, taking care of the database. The bank has no black employees. In the downtown where I work, not many of the businesses have black employees. The black people I see are usually either janitors or the homeless. Obviously, that fact in itself is witness to the racism we struggle with in this town.

          Given my actual situation, it’s difficult to think about being friends with a homeless person. I know I shouldn’t be limited that way, but I am. If I were friends with a homeless person, white or black, then I would essentially have to take care of them. It’s too unequal.

          I could be friends with a janitor though. I’m not better than a janitor just because I write code for a database. I would go to a janitor’s house. I would have a janitor to my house for dinner. If the janitor at my bank was black, perhaps I could strike up a casual friendship, over time. I’d notice something about him, maybe the ball cap of a team from a faraway city and ask him about it. That would give us a start. Then, eventually, I could ask if he wanted to come over for dinner. […continue reading here]

An excerpt from “the way a flock of black birds sets off in one large wave” by Leslie Contreras Schwartz (poetry, ’11) published at The Missouri Review:

the way a flock of black birds sets off in one large wave

if a black
flutter

of bullets
takes the universe
of my child / friend / neighbor
family

away

just lay my body
down in a field

let it waste
let only the birds

remember my body
and let my child’s name

be contained only
in their unreachable

flight

because no one
will deserve to say
his name, not one person,    […continue reading here]

Congratulations to Robin Rosen Chang (poetry, ’18) for winning first place in the Poet’s Choice category of the Oregon Poetry Association’s Fall 2018 Contest. Below, an excerpt from her winning poem, “Dream: At the Beach.”

Dream: At the Beach

They were sitting at the edge of the ocean, my mother and Eve, digging for mole crabs. Amphipods. They’re prehistoric, my mom says, like horseshoe crabs. Look at their exoskeletons. Like little armored torpedoes. Or drills. Their legs tunnel them backwards into the sand.

Eve catches one, holds it between her finger and thumb, examines its tiny alien face. Its eyes. Planted at the end of two stalky appendages, next to their antennae, my mother said, trying to teach Eve, like she’d done with my kids and me, unaware Eve already knows.

Watch out for gulls! When I was still married, one tried to steal a fish right from my husband’s hand. Then they’re looking for tiny coquina clams, shiny pink and purplish-gray ones, each with its tiny muscled foot burrowing it, before the next wave. […continue reading here]

An excerpt from “CONSENT by Jennifer Funk (poetry, ’16) published at Four Way Review:

CONSENT

As if you could dig it up like a carrot 
or shake it loose from the branches.  

As if you could thwack it in half 
like a coconut, could drink the milk

sloshing inside and be revived, as if you could command it 
onto your tongue, as if it had a taste,

as if it could be poured or caught or captured or held 
or worried loose like a tooth, a knot, a nail, as if it were an eye

fixed on a snake bisecting the path.  
As if it could be summoned and hooded,  […continue reading here]

An excerpt from “MIRROR ROOM, MEHRANGARH FORT” by Chloe Martinez (poetry, ’09) published at Four Way Review:

MIRROR ROOM, MEHRANGARH FORT

Jodhpur, Rajasthan

You live in a high fort above a blue city. The rooftops below
speckled with laundry. At night the distant echoes
of a hundred brass bands, a hundred weddings. The blue
of the city is not quite robin’s egg, not exactly
the blue of chicory. Outside the city is the desert.

Don’t tell it like a story. It will sound too beautiful.
You stand on a high parapet, in the rustle and coo
of pigeons, under filigreed eaves. When you step over red
velvet ropes, leaving the museum behind, you find rooms
empty as the moon, floors carpeted in desert silt.

In one bedchamber-turned-cave, you hold your breath, you bow
before a rank hill of bat guano. You touch niches
for the ghosts of little lamps, and frescoed girls dance
with gods along the wall. Plaster dusts your fingertips.
Stained glass windows turn your thin skin rainbow. You take

[…continue reading here]

An excerpt from “Litany in the Locrian Mode” by Daniel Jenkins (poetry, ’18) published at catheXis:

Litany in the Locrian Mode

The arthritic dog sleeping upside down, paws dream-wincing—

 

Black-caked ashtrays and cigarette smoke—

 

The back deck. The yellow mosquito bulb—

 

Band march cloud scuffle, breaking gray clay sky—

 

Budding trees, no ballad, no mezzo-soprano—

 

Gregorian chant, or any chant for that matter—

 

Bottom shelf brandy and pink wine—    […continue reading here]

An excerpt from “SELF-PORTRAIT WITH SINGLE MALT SCOTCH AND GUITAR HERO” by Ross White (poetry, ’08) published at The Indianapolis Review:

 

SELF-PORTRAIT WITH SINGLE MALT SCOTCH AND GUITAR HERO

Alternately, Self-Portrait on a Wednesday Night.
Alternately, This Keeps Me from Engaging
with a Friend Who Continually Disappoints Me.
Alternately, I Hardly Leave My Basement.
Alternately, The Soft Forest of Carpet
Beneath My Bare Feet Will Suffice as Refuge.
Alternately, If I Could Shrink Myself and Wander
Its Great Fibrous Oaks, I Might Never Regret Solitude.
Alternately, Self-Portrait With Thunder In My Bones.
Alternately, I Got into an Argument Over Drowning,
and Whether a Drowning Man’s Twitch Might  […continue reading here]