An excerpt from “Pour Out Your Heart Like Water Before Me” by Abby Horowitz (poetry, ’15) published at The Collagist:

Pour Out Your Heart Like Water Before Me

Before I had the rabbi, I had a dog.

And one day, the dog died.

The dog was old and had been sick, and I believed in proportional grief.

I loved that dog, but it was not a devastation.

And my dog’s body, still on the exam table.

My hand combing through her fur.

We were talking about next steps, the vet and I.

(I could already imagine moving on to whatever might come next.)

(I was not struck prostrate on the floor.)

(I did not hide for days afterwards in bed.)

And the vet said: Many people like to bury their pets right in their backyards.

But I did not have a backyard then.

I lived in an apartment that overlooked a lot of cars.

And so my dog’s life ended in a crematorium for pets.

I did not have a backyard and so I scattered my dog’s ashes around her favorite park.

It was May and there were some sunbathers by the park’s fountain and I scattered the ashes in such a way that when the wind blew, the ashes would blow onto those sunbathers, lying half-naked and carefree in the grass. […continue reading here]

An excerpt from “God’s Work, Women’s Work” by Abby Horowitz (fiction, ’15) published at Waxwing:

God’s Work, Women’s Work

God pulls on a pair of latex gloves, the points of His fingernails poking sharply at the ends.

God moves like a lover, rolling down the comforter, rolling up the sleeping woman’s shirt. God peels off her underwear. God spreads her legs apart. Then, closing His long-lashed eyes, God blows a mighty breath into His cupped hands. The curtains tremble with the air that overspills His grasp, the woman stirs a little in the breeze.

God bends down above His target until He’s so close that His lashes brush the insides of the woman’s thighs. Then He opens the woman with His gloved pinky, and guides His handful of divine air inside.

God says, “Let there be —” and names the child who then begins to grow.

The woman sighs a little in her sleep, and God sighs with her, pleased with His labor. He tugs off His latex gloves and cocks His ear towards the bed, listening for the whispers of the new creation growing and singing God’s name.

Weeks later, the angel comes to Him in tears with the report: that the woman, at the doctor’s office — how there was silence where the heartbeat of God’s creation should have been.

God’s face turns dark. God tries to remember the woman over whom the angel cries. God tries and tries. The Gods pulls up his suspenders and heads back down to work. […continue reading here]

An excerpt from “Currents” by Tracy Winn (fiction, ’02) published at Waxwing:

Currents

No one else swims in this river, but Leo follows a course where the sculling shells slide through the shadows of city buildings. The rowers in their brightly colored jerseys are as accustomed to seeing him as they are the cormorants that pop to the surface just beyond reach of their oars. With each butterfly stroke, Leo fights the suck of the dark water. His head is large, his limbs long. He surges up, defying gravity for a split-second. Clumps of birches on the shore leap and wheel — subsumed by water as he sinks. Riverfront buildings rise and fall as he falls and rises, their murky gray-brown foundations under water, their whitewashed balconies in the sunny air above. His heart thuds; his lungs empty and fill. He is in the rhythm, working toward numbness. Breathe in. Let it go, a silver bubble at a time. Do not think back, do not plan forward. Breathe in. Let go. Let go. He needs to lose himself, to bear — for a breath at a time — that he lost her. He swims until he is desperate with cold, almost too cold to recover.

On a stretch where there is no beach, just nubbins of worn grass, he emerges, dripping. He has stashed his towel and uniform in a neglected strip between apartment buildings. He flattens himself against a sunny wall and shivers until his blood responds and his fingers and toes come tingling back to life.

Leo hops on one foot to keep from tipping over while he pulls his pants on. “I lost my wife,” makes it sound as if he had misplaced her like a lighter or a pair of reading glasses. He didn’t need reading glasses when she vanished. Now, to re-read the consoling words of the philosophers, he does. She disappeared a year to the day after their wedding. […continue reading here]

An excerpt from “Afterlife (Jaipur, 2008)” by Chloe Martinez (poetry, ’09) published at Waxwing:

 

Afterlife

Agar Firdaus bar roy-e zamin ast,

hamin ast-o hamin ast-o hamin ast.”

          — couplet by Amir Khusrao

          inscribed on the tomb of the

          Mughal Emperor Babur, Kabul

 

If there is a paradise

we arrived, as if at the far bank

of a river, and sat on a cool verandah

upstairs among leaves and

more shady leaves

                                         on earth,

it’s not mango season, they keep telling us,

so I settle for mosambi, sweet lime, for now.

Every day I drink half, leave the rest

for you to finish

It is this,

our hotel used to be a haveli; the family

still lives in one wing, the women

veiled like proper Rajputs, like

ghosts, sweeping the courtyard

                         it is this,

we have no family here, observe no holidays,

and I have given up my phone. Our

life back home takes on the warm

glow, the softened edges of myth […continue reading here]

An excerpt from “Exile Status,” one of two poems by Adrian Blevins (poetry, ’02) published at Waxwing:

Exile Status

All my life I’ve been a stupid little runaway

& tried therefore to like philosophy

as beauty pageants

really wouldn’t work

though smoking yes & beer & sex

a speck I guess.

But dipping tobacco no

& pink trucks sorry no

& no football either

or deer assassination or coons up trees

or weekends gutting pigs

& geese. Which is why

I tried with ideas to escape myself

like ideas are Black Eyed Susans

or mice. But ideas

are not the Mason jars & homemade jams

of the Apocalypse

& ideas are not

the shredded roosters & sourdough starters

of the Apocalypse, & knowing that means

I’m just an old farmer […continue reading here]

An excerpt from “Poem Ending with a Scene of a Woman Alone” by Maya Phillips (poetry, ’17), published at American Literary Review:

 

 

Poem Ending with a Scene of a Woman Alone 


How can she place him, the absence
of his body (un)framed in the doorway of her apartment,
(un)sunken into the side of her bed where she doesn’t sleep?

The air gathers, puckers around him, or the almost-
him she imagines, the current warm, then cool, then warm
again like the breeze of a turning fan in the summer.

Even now, in his hollowness, in his somewhat-not-quite, still
he fills the room like water in a pitcher. Inside her apartment,
he’s messy, unsure of himself—whatever self

there is of him—spilling everywhere, trying the freshly vacuumed rug,
the mopped hardwood floors, the lavender-scented candle
in its glass votive holder.

She worries about the neighbors: what they’ve made
of their long fights and loud conversations, if they know
what has been changed, what she considers unspeakable—​ […continue reading here]

An excerpt from the novel Car Trouble, by Robert Rorke (fiction, ’10) from Harper Perennial Paperback Original:

From Car Trouble

One Sunday morning a few weeks later, we came down to breakfast and found Himself slumped on the kitchen floor, back against the white enameled oven door. Mom leaned against the sink, sipping a cup of coffee in her pink flannel nightgown, and looked down at him, as if trying to figure out how she was going to lift him—or if she was just going to leave him there.

He was conked out. If you screamed in his ear, he wouldn’t have heard you. We’d found him passed out before, usually at the kitchen table, but never on the floor. Did he fall off the kitchen chair? He looked like the guys you saw on the Bowery. How do you come home like that, so drunk you just collapse? I didn’t want to see him like that and almost went back to my room until Mom hustled him upstairs.

I waited with my sisters in the dining room for the okay to walk in. Mom put the coffee cup down and waved us over. I went

firstMom lit a cigarette on the gas burner and took a long drag on it. “She’s all yours,” she said, pointing.

As shocked as we were to see Himself in such bad shape, the bigger surprise was the dog. She was reclining next to his bent left leg, a tricolor collie blinking at us in the most bewilderedway, as if she were waiting for us to tell her what she was doing here, in our kitchen. She was really very striking, even beautiful. Her coat was mainly black. Her forelegs were brown, her paws and chest white. Her snout was longer and narrower than most collies, with a thin stripe of white in the brown. It gave her a slightly aristocratic air. In this house she was going to need it.

Like me, my sisters were half-asleep. Ringlets of damp hair stuck to their necks and temples.

Maureen immediately knelt to pet the dog. “Look at you,” she said into the dog’s confused, melancholy face. She looked up at Mom. “Where’d she come from?”

“Your father brought her home from a bar. Where else? Who wants coffee?”

The aroma of a freshly perked pot filled the kitchen. I raised my hand. “I do.”

Maureen glanced at Dad. “He’s really smelly, Mom.”

I didn’t plan to get that close. A thread of drool hung from his lip, a pack of Pall Malls crushed in his shirt pocket. I checked the clock over the kitchen window. Eight a.m.

Maureen gently unbent his leg to free the animal. Now Dad was sitting with his legs spread out in front of him, blocking the way to the sink. Standing on his other side, Mom poured coffee into cups that she took from the drainboard and passed them over Dad’s head to Dee Dee, who put them on the table.

“Let’s get her some water,” Maureen said. Mom filled a Tupperware cereal bowl and passed it to Maureen. The collie lapped up half of it and then reclined on the floor next to Himself, crossing her front paws. Master and pet, in repose.

“Ooh, she’s such a lady,” I said. “Definitely not the saloon sort. What did he say when he brought her in?”

“What was there to say?” Mom said, flustered. “He opened the door and said, ‘I got something here for the kids.’ I looked out at the front porch and there she was.”

Having the dog there made it possible to overlook Himself, as if he were a sofa too cumbersome to move.

“Well, she’s pretty and that’s nice,” Patty said. “What’s her name?”

“I don’t know if she has one,” Mom said, wiping her glasses on a hand towel. “I think that’s up to you kids.”

We all looked at her.

“Well, we could name her after the bar where he found her,” I said.

Maureen shot me a rueful look. “Like what? Dew Drop.”

“We are not naming her Dew Drop,” said Patty. “Don’t be such an ass.”

“No, I think we’ll name her Queenie,” Maureen said.

She was always so pushy. “Hey, who says you get to decide?” I asked.

Mom took a ratty leather harness off the closet doorknob and handed it to Maureen. “Before you worry about giving her a name, why don’t you get dressed and take her out for a walk? Your father swore she was housetrained.”

We threw our clothes on and walked the dog together, the five of us. Me, Maureen, Patty, and our two youngest sisters, Dee Dee and Mary Ellen. I found my sneakers under the couch in the living room and helped Maureen put the harness on the dog. I felt the hairless skin under her coat. Himself was grum- bling on the kitchen floor.

“Go on now, while I get him up to bed,” Mom said.

The poem, “The Salt” by Peter Schireson (poetry, ’17), from the chapbook of the same of the name,  from Unsolicited Press and available at Amazon in paper and Kindle.

 

The Salt

I set out to attain nothing more
than myself, and before long,
had no money
and only one tooth,
the price I paid
to locate this exotic kingdom,
where mud-caked holy men
wander barefoot from place
to arduous place,
where the people need salt,
find it in the sea, call
what we call sea, “The Salt,”
and sing, “Let us walk
along the shore of The Salt.”
Yes, that will be the title.

An excerpt from the novel, What Luck, This Life, by Kathryn Schwille (fiction ‘99), published in September by Hub City Press.
(pub date: Sept. 18) Used by permission of Hub City Press. This section originally appeared in New Letters

What Luck, This Life

She was a bit of a free spirit, his wife. Not your run-of-the-mill preacher’s mate. Pastor Will Simpson knew his congregation, some of them, at least, thought Holly MacFarland and her long wild hair had brushed against the devil’s ways. Her first husband had turned out to be gay. Also, there was her yoga studio, a shady bit of spiritual business. The members of Spring Creek Baptist might have chosen differently for the second wife of Pastor Simpson, but he loved her with all his heart.

Holly had closed her yoga studio – Kiser could not support it – but a little group of them still met on Saturdays, here at the house. Soon they would be coming up the walk in their flowing tops and unfettered pants. Simpson still had tomorrow’s sermon to write, and this presented a problem. Before the yoga, the women would talk, and they would take over the den, which had the most floor space but also his favorite chair. He’d typed a few words from Job on his laptop screen: His wealth will become hunger. Thanksgiving was next week.

            Simpson had married Holly on the rebound, his critics would say, two years after her divorce. She had come into the marriage with a large, stubborn pony and a smart but troubled boy. It seemed to Simpson that he’d spent his whole short marriage trying to connect with the child. He loved Frankie but was relieved when, after totaling Holly’s car in a wreck a year ago – the day after Thanksgiving – Frankie had moved to Houston to live with his father. That left Simpson and Holly with most of this year to themselves. He’d expected it to be different.

            The pony was still with them and Simpson could see him from the den window, staring at his pasture when he should have been eating from it. Drought had brought Texas to its knees; the fields were devoid of grass. There was no hay anywhere in the state, a drought like this not seen since the fifties. Rosco’s new diet was all processed, too expensive by far, and still he was chewing on the fence posts.

Holly came into the room and spread out her yoga mat. Simpson helped her move the coffee table to a corner. “I’m sorry honey,” she said. “You mind going in the kitchen?”

He could smell her shampoo in the damp frizz around her shoulders, a grapefruit scent that wouldn’t linger, though he would not have minded if it did. When they were first married, they would take long showers together and his fingers would be greedy for the slick, lathered abundance of her hair. Soaping her bottom, or her breast, he would wonder how Wes MacFarland could not have wanted her, the way any normal man would. His early sex with her was ferocious, desperate and frequent. She was the most exciting woman he’d ever been with, and she had competition in that regard. Simpson was tall, and some said handsome, dark auburn hair when he was young, a slender build going only a little soft now. He had answered the call later than most.

Holly set a portly beige candle in the center of the room and lit it. Now he smelled sandalwood, which he disliked. “Seems like a nice day,” he said. “I’ll go hide out at the church.” He didn’t have an office there – the church was too small for that – but it was a warm fall day and there was a bench by the cemetery.

“If you hadn’t left it to the last minute,” she said. “You weren’t even teaching this week.”

“I know.”

This was old territory. He procrastinated about the sermons. He was a part-time minister; pastoral inspirations came and went as they pleased. His other job, substitute teacher, came and went, too. The teachers had been remarkably healthy this year, with no emergency surgeries or problem pregnancies. He wouldn’t wish the flu on anyone, but he could wish for the women – the married ones, of course – to be more fertile.

“I’m a sloth. And you’re a good preacher’s wife.”

“So they tell me. What are you writing this week?”

“About hunger, I think.”

“Mmm. Nice.” She gave him the smile that said, I’m about to ask you for something. Her usual smile was girl-next-door-bright, like a model in an outdoor catalog. This other displayed the slightest tension at the corners. He often wondered if Wes MacFarland had found her so telegraphic.

“Could you stop by the feed store?” she asked.

“Again?”

“He has to eat. There’s nothing in his –” she hesitated. “Nothing in his pasture.” When he met her, she would occasionally curse. Nothing in his damn pasture.

“Poor guy. So more alfalfa pellets. How many bags?”

“How many can we afford? He’s going through one a week.”

Simpson had not yet told her that his church salary would be fifteen percent less next year. The Great Recession, as people were calling it now, plus the drought, had bit deeply. Collections were down and the deacons had been firm. He could hardly complain. Some in his congregation had lost their jobs. The salary cut, when he got around to telling her, would trigger a round of frugal, meatless meals. She felt guilty that her job at the furniture store, tied to commissions, paid so little.

Two Poems by Daniel Jenkins (poetry, ’18) from the Tupelo 30/30:

 

 

From Daniel:

I loved everything about writing for Tupelo Press’s 30/30 Project this past August. Yes. I did have a mental breakdown. But who wouldn’t? Writing poems on demand was, well, demanding. After a conversation about love poems with some of my closest friends from Warren Wilson, I decided embrace an insane virtual tour of the world through the voice of a speaker searching for a lost love. This involved a ton of research on place and culture. Wow. Not only did it bring closer to the world at large, but to my little world here. After a while, the majestic and mysterious swallowed me whole, stretched my imagination. One stop included Mountain River Cave in Vietnam—the largest in the world. Once the poem appeared on the Tupelo 30/30 blog, I received a friend request from a girl who worked as a tour guide for  Mountain River Cave. My favorite experience came when writing poems for friends who’d donated to support my campaign. I wrote about destinations and themes important to them, which was much more satisfying. I feel I grew closer to everyone. I loved every second. These are just some of the many reasons I’m grateful to Tupelo for the opportunity to write for thirty days. I heard faculty tell us to write immediately after graduation. Well, it worked.

On the two poems—In March 2017, I started taking pictures of my boring food and writing absurd and hyperbolic descriptions of them. We all found this funny, and soon the joke caught on. It brought people joy. That’s why I loved doing it. “Cook-Out on Tunnel Road” was based on my last Cook-Out visit with Jodie Free before graduating. The second, ” Dvīpa Sukhadhara,” is about Socotra Island, one of the most unique places on the planet. Over 33% of plant life, and a few strands of DNA, are found only on Socotra.

Cook-Out on Tunnel Road
Asheville, North Carolina

What I meant when I said hushpuppy
was this: oil-baked bread-crusted dinner donut,
half-dozen’d, splashed with shredded
leaf globe, or what you call home-made slaw.
Words were not enough—so I said, stuffed
in a styrofoam cup, cold cow tit cream,
brightly-iced powder cane, lactose whip,
polystyrene drink. I should’ve just said milkshake,
but I didn’t, and you said thinly-grated swine saucer
in red pepper paint—a barbecue pork plate—
or instead of onion rings you said ringed white
pungent-fruit fry-breaded, or when I tried
to say potato-sheaved fry double-dozen’d—
why the fuck didn’t I just say French fries?—
French fries aren’t French. In lapses of absence,
of presence, glades, hazes, ourselves sunk
by slight indulgence, dizzied beyond by words,
let’s just say filets of flightless bird,
twice salted, instead of chicken breast,
or just say wine instead of sulfide-derided
vine juice. Good things time-capsuled,
and we will mean it’s okay, it’s going to be okay.
I know another two dozen suns is a day.
I know it. It brings merciful, forgiving shade.

  for Jodie Free 

Dvīpa Sukhadhara
Socotra Archipelago

The clefts and caves in the steeper drops
to the water, somewhere once called very good,
a relief from the shades, some eternal
effect of self-knowledge, Socotra—word a brazen

arrow swiftly flung from Sanskrit, meaning,
island supporting bliss. The rhetoric of her waves,
the hills billow the down-cone tops of trees,
kindled roots in the air, pores opened for Thomas

the apostle, his finger jabbing at his side
to show the space between two ribs the centurion
pierced Christ. Thomas in tatters, waving a staff,
recalled his face-falling, crying, my savior

and my god! Once Thomas left, a stone hut
stood molten gray, barely holy. I think he left
not from failing faith, but from boredom.
You, however, only came at night, shifting

wisp of claw prints lizard-made, spaces opening
decades: yes, I heard you say, we are quite rare—
you’ll find these genetic lines made nowhere
else. Nothing else but silence. I wait for you, I said,

the fishermen, shepherds and vinedressers
building huts, docks, boats, homes, years and years
still going, still in longest being. On the brown
hills the trees loosened from the dirt and marched

louder than the sultan’s armies or the Portuguese,
and as the down-coned trees sunk into the sea,
leaving their holes, glowing embers in each sprung
to form like marionettes, and from them came

the bones of the dead redressed in skin, in hair,
with lips, with blank eyes. These reformed Socotrans
danced in the basins of unbundled churches,
waiting for the day’s catch, where I prayed you’d be,

tangled up with fish—your throat, mezzo, loosed
to liberating rage, to song and songs sung, of
this free, ageless thrust, glaze of sun dying off
its red haze, giving life, giving life, giving more

than the life I’m a fool to believe is my own
to waste. So—there you were, there kneeling
in the black dirt by the sea, the rocks wiped clean
of briny whitewater, singing to me, plant here

what no one from this time till then plants elsewhere.