An excerpt from the short story “Sun and Shade” by by Katie Runde (fiction, ’12), available in Storyscape Literary Journal:

“Sun and Shade”

Liz heaved the last umbrella into the box at Sun and Shade Umbrella Rentals and snapped the combination lock shut. The beach was littered with the signs of a busy weekend day: peach pits, popsicle sticks, indentations in the shapes of bodies in the sand. Dave appeared just as she was zipping her backpack to leave, as he had every evening this week on his way home from the Sun and Shade Rentals two blocks north. He set down a greasy pizza box on a towel and passed a thermos to Liz. She took a long pull and tasted the familiar sourness of lemonade with the surprise bitterness of gin.

“Cheers, boss,” he said, already folding one slice and filling his mouth, dripping grease onto the towel and sand. “Oh and can I have next week off?” Carl had just promoted her to assistant manager this week, which meant an extra dollar an hour and that she gave the breaks on Wednesdays. […continue reading here]

An excerpt from “God” by Mary Jo Thompson (poetry, ’09), available in The American Journal of Poetry:

 

“God”

I picture myself a bubble and you
the plastic wand, and I cry at the sting


of iodine, and roll down steep hills.
I drink all summer


from the backyard hose. I want
to pour ink down my brother’s back.


We walk like drunks. I can’t stand
the smell of old people. […continue reading here]

An excerpt from “The Rubáiyát of My Old Man” by Edison Jennings (poetry, ’99), available in The American Journal of Poetry:

 

“The Rubáiyát of My Old Man”

No jug of wine, a G&T,
No loaf of bread, a BLT,
Lunching at the country club,
Content among the bourgeoisie,

Possessing most of my desire:
Enough money to retire,
A cozy condo on the coast,
A divorcée to light my fire.

And though all that is doubtless nice,
It somehow doesn’t quite suffice;
My comfy middleclass excess
Doesn’t make for paradise. […continue reading here]

An excerpt from “Staffordshire Hoard” by Idris Anderson (poetry, ’06) available in The American Journal of Poetry:

 

“Staffordshire Hoard”

When the earth was flat    and the edge of lands-end
a foul mud-fen    of reedy muck,
in the kingdom of Mercia    the king commanded
the killing of marauders,    man-slaughterers
gold-greedy    for garnets of goldsmiths,
famed fashioners    of fine-wrought fastenings,
knots and loops    on lovely surfaces
of cheek plates and chin pieces,    chain links
on sword hilts and helmets,    hand-hammered
bands and buckles,    braces and breast plates,
jewel-set treasures    untouched for ages,
gems dug from darkness,    sun-dazzled purples
fresh from furrows    of a farmer’s field. […continue reading here]

An excerpt from “Einstein in the Afterlife” by David Prather (poetry, ’99) available in the American Journal of Poetry:

 

“Einstein in the Afterlife”

● The Apparent Incompatibility of the Law of Propagation of Light
with the Principle of Relativity

Marilyn Monroe stares at him all day, her white dress billowing up as in a movie poster,
a gang of electromagnetic entities gathered around the hem, all of them charged
with the task of blowing up a wind to keep this all too human
cloth from touching her bare skin.

Or, at least, that’s the theory. Einstein’s brilliance troubles him,
every so-called angel buzzing around his shocking white hair, every dead thinker
plaguing him with stupid questions about space and time. He tells them
it’s all relative, which seems to satisfy them for a while. But not Marilyn. […continue reading here]

Beverley Bie Brahic (poetry, ’06) has four poems in the current issue of The Manchester Review. Below, an excerpt from “Future Perfect”:

 

 

 

“Future Perfect”

Yesterday he thought the future
was a tense they taught you in school
where if you make a mistake
it isn’t the end of the world.

Well he learned his lesson
God now give him
his book bag back
let him be on his way home again

no voyous at the construction site
taking his back pack
his brand new anorak.
And no telling Dad […continue reading here]

A poem by Adrian Blevins (poetry, ’02) appears in The Baffler:

 

 

Nope

As for yes I’ve been against it
since ballet & I refused to leap
like a little white flag in the gym
& I refused to skate on blades
if there was ice which there was not
& I refused to ride in the backs of trucks
& did not kill my mother & father
& did not not want to either
& did not wear red bandannas
or gyrate with tassel & baton
in the Jesus parade or go door to door
with The Old Farmer’s Almanac… [continue reading here]

A story by Cass Pursell (fiction, ’96) appears in Bull:

 

The Orchard

 

Years ago, when I was small and they were still alive, my maternal grandmother and grandfather lived in a small, white, two-story house on a city street in Adrian, Michigan abutting a Wonder Bread factory. When we visited, the smell of baking bread always hung comfortingly in the air. Stepping out their back door and onto a small brick patio led to a grassy yard enclosed at the back edge by a tall English-style hedgerow with an arced trellis in the middle that, when we passed through, led to a second yard, mostly hidden from view from the house. The second yard contained a small orchard of apple trees we loved to climb, atop one I once became stuck out of fear of falling and needed to be rescued by my balding grandfather with a creaky wooden ladder.

We called the orchard the “back-back yard.” We it made our own and it was where our private games were played. Demarcated by the hedgerow and by a rusting wire fence hidden from view by a thick stand of thin trees along the back of the property line, the back-back yard abutted the Wonder Bread factory and was dark with long shadows and featured a small circular pond of deeply murky water on its back edge.

A short wall made of round stones, coming only about shin high, surrounded the black and immobile pond water. Though the pond was small enough I could today hop from one side to the other from a standing start, at six years old I was frightened to get too close to the edge, as if I was staring into an open and bottomless well in which I would surely drown if I somehow slipped and fell in. […continue reading here]

 A story by Sumita Mukerji (fiction, ’15) appears in SmokeLong Quarterly:

 

Lifeline

 

Pia hides under the breakfast table while her mother hunches on the couch and scratches at her palm. Inside the house, acrid air. Leaves of Grass—her mother’s favorite, gifted from Pia’s father—long unopened. The slap-slapping of her mother’s sandal as she bobs her knee. The way her polyester pant leg flutters, the way her mouth trembles as she mutters to herself. The hairs on top of her mother’s lip, unshaven. Pia wants to crawl out from under the table, to remind her that she’s there. But her mother’s ample mouth droops, and Pia remains where she is.

For several minutes her mother has been scratching—distressingly, achingly—at her lifeline. The trait isn’t new, but the intensity is. As each minute passes, Pia’s stomach sinks, to her thighs, her knees, her feet. Her mother squeezes her own wrist. Veins Pia never noticed push against her skin. Pia sits on her heels, and her sundress rustles—surely her mother will notice—but there again is that acrylic nail against dry skin.

After a while, her mother studies her palm. She scratched at her lifeline when Pia’s father trained for a marathon, lengthening the time of scratching with each new mile he ran. She scratched when her father went to bed earlier than Pia did. And when he went out at midnight to drive along the highway. And now, once more, her mother’s determined scrape-scraping. Like the calico who visits their yard, scratching at the back door’s screen.[…continue reading here]

An excerpt from Mad River by Justin Bigos (poetry, ’08), available now from Gold Wake Press:

Portrait of My Father as John Clare: “Common Loon’s Nest”

I think of ma stretched out like death
in Room 42 of the Pequot Motel,
the television static rain,
not snow, as they say, the whole room soaked
through like a rag before it’s squeezed.
I’d left the faucet on, indeed, a quick shave
before work, my twelve-hour shift
driving a cab – then coming home after fries
and a Double Whopper with cheese
in a parking lot lit up like some firefly
graveyard, wing dust on my windshield,
stardust in my head. And that’s what they called it,
trying to be kind, perhaps, doctors
and nurses, not in white suits but suits with neckties,
flowered dresses and scarves of gold.
Stardust – as if I were Brando
or Paul Newman rocking away his last days
at the Connecticut General Hospital
for the Insane. Yes, quite a name
for a place serving pot roast with plastic knives,
pressing hot towels to faces
of tenants not allowed to shave themselves. Ma
told me to not forget her soup
and crackers, Meals on Wheels had lately been stale
as my jokes. I wiped the bloody
foam from my face, made sure the TV was set
to channel 9, PBS, left
without saying goodbye. As I did tonight,
though we have no TVs, only
the large one like some aquarium lighting
up the lounge. The other men stare
and moan night and day as if it’s God Himself,
as if God played golf, or dropped bombs
on hospitals in ancient lands
still here, its people wailing for their newborn
dead, a sound I carry with me
everywhere, even here, this pond I’ve named
Hidden Loon Pond, whether it’s my right to name
God’s pond or not. I am Adam
as much as Eve, though, it took me my whole life
to figure that one out. Listen:
the loon, what’s called the common loon, yodeling
across the pond. They make their nests
with marsh grass and sedge, in the coves
and dark bays of the pond, if it’s big enough.
I once saw a loon in the lot
of Circuit City after a heavy storm.
It must have mistaken the slick
asphalt for pond, the neon glare for moonlight.
It took nearly twenty minutes
to find enough runway, like a propeller
plane before, finally, it levels
its wings and lifts from the ground. The common loon
is named for its hobble, from the Swedish word
for lame. I myself can barely
walk a mile and, worse, tonight when I escaped
that prison I forgot my shoes.
Yes, prison, that’s what I called it, the first room
I could have stayed in forever,
no rent, no hollering ma, and as much food
as an idle man can eat. Now
look at me: sitting barefoot by the cattails
of this marshy pond, listening
for the common loon, hiding, which is the sane
thing to do in this whirlipuff
of a world. Some of us, like the brown mallard,
can only fly against the wind.
Most of us can’t fly at all, and so we turn
away, pray for a mighty gust.

BIO: Justin Bigos is author of the poetry collection Mad River (Gold Wake, 2017), as well as the chapbook Twenty Thousand Pigeons (iO, 2014). His writing appears or is forthcoming in publications including New England Review, The Seattle Review, Ploughshares, Indiana Review, McSweeney’s Quarterly, The Best American Short Stories 2015, and The Rumpus. He coedits the literary magazine Waxwing and lives in Flagstaff, Arizona, where he teaches writing at Northern Arizona University.