Emily Sinclair

A story by Emily Sinclair (fiction, ’14) appears in Cheat River Review:

Wildland

It was the second week in September, and bright yellow mums in buckets sat outside the Safeway, in Steamboat Springs, Colorado. On impulse, I grabbed a bucket, imagining the flowers on my front porch, a spot of color against the gray hazy air from wildfires twelve miles to the north. As I pushed my cart through the store, two women stopped me to say how beautiful they were, how they wanted them, too. For dinner, I bought colors: red peppers, green acorn squash, yellow carrots.

The fire had started three days before; by the second day, it had grown, uncontained, to more than two thousand acres; by day four, nearly four thousand.

… continue reading here.

A poem by Ian Randall Wilson (poetry, ’02; fiction, ’16) appears in Scoundrel Time:

The Peace Grant

No singing of any
kind. All year the rooms dark.
Then a week of lights.
The owners have returned,
their daughters haunt
the balconies.
One of them looks at me

. . . continue reading here.

Poems by Elinor Cramer (poetry, 92) appear in Nine Mile:

. . . to read the rest of this poem and more of her work, click here.

 

Rolf Yngve (fiction, ’12)

Rolf Yngve’s (fiction, 2012) story “The Mouse” was included in the 2017 issue of War, Literature and the Arts. “The Mouse” is one of a series, The Ehrlich Stories, one of which, “A Prerogative” appeared in Kenyon Review issue May/April 2015.

The Mouse

The executive officer … shall be primarily responsible to the commanding officer for the organization, performance of duty, training, maintenance, and good order and discipline of the entire command…

Standard Organization and
Regulations of the U.S. Navy

Zero Three Thirty—0330—has always been the normal hour to relieve the morning watch, the watch associated with the rise of spirits brought on by the smell of night-baking newly out of a ship’s ovens and the dawn over the sea. Of course, in the Pentagon, there is no night-baking. Nor is there really a dawn, only the maze of corridors and offices, empty and the same, where at 0330 one Saturday morning, Commander James Ehrlich found himself stabbing his key code onto the tiny buttons of an electronic lock. … continue reading here.

Poet Meghan O’Rourke (poetry, ’05)

An essay by Meghan O’Rourke (poetry, ’05) appears in The New York Times Style Magazine:

Lessons in Stillness From One of the Quietest Places on Earth
In the wilderness of Washington State’s Hoh Rain Forest, a
poet searches for the rare peace that true silence can offer.

by Meghan O’Rourke

This story is featured in T Magazine’s Travel issue, on newsstands Nov. 12.

THE OLYMPIC NATIONAL PARK stretches down coastal Washington and east toward Seattle on a thumb of land known as the Olympic Peninsula, some 60 miles long by 90 miles wide. Around a three-hour ride by car from Seattle, it feels much farther, as if you have passed into an otherworldly realm. Within it are volcanic beaches scattered with the remains of massive Sitka spruces, evergreen-crowded mountains, broad, flat valleys and the Hoh Rain Forest, through which 12 miles of hiking trails and the glacier-formed Hoh River run. The Park, in total nearly a million acres, is home to what may be the most complex ecosystem in the United States, teeming with big-leaf maples, lichens, alders, liverworts, Monkey flowers, licorice ferns, club mosses, herbs, grasses and shrubs of remarkable abundance. Today, thanks to federal protections, it is home to some of the largest remaining stands of old-growth forest in the continental U.S. [… continue reading here.

Here is an excerpt from a new novellaDay of All Saints, from Patricia Grace King (fiction, ’13), available for purchase now from Miami University Press.

Day of All Saints

Ghosts in the trees. Martín wants to rip them all down. If he could, he’d bury them deep in the flowerbed that he’s uprooting, or stomp them into the grass. Sure, these ghosts are small, even playful, made of white handkerchiefs and—what?—Ping-Pong or Styrofoam balls? But even so: ghosts. With little magic-markered-on ghost eyes and smiles. Like they’re a fun thing to have. Dangling from maples around the gringa’s front yard, the ghosts jig on their strings with each shift in the breeze. The gringa has not made an appearance all afternoon, and waiting for her sets Martín on edge.

He stands from the cold-blackened bed of begonias to steal a look at Diego, piling bags of leaves down by the curb, then up at the maple branch over his head, aflutter with a family of ghosts. Someone—the gringa?—must be having a joke, for these ghosts are made from bright-red bandanas. Like a host of mini-sized demons, they’ve waggled around Martín’s ears for the past hour until all he can think of is blood. The blood inside his work glove, for one thing, which is oozing again, though he won’t take off the glove for a look. To remove it might cause an eruption—geysers of blood. Today of all days, Martín can conceive of such things.

With his good hand, he lunges after the branch full of ghosts. But a fresh bout of dizziness clouts him straight down through his brainpan, and Martín falls to his heels with a lurch. His empty hand swipes the air.

Diego is on him again in five seconds, garden rake over his shoulder. “Buddy, don’t think about it.”

If he holds very still, Martín has learned, the sick hollow feeling will pass. Even so, he swings again at the nearest ghost and gives it a furious yank.

“Cálmate, vos,” says Diego. “These people don’t mean nothing by it.”

They’ve been arguing the point for a month, ever since plastic gravestones began to loom from these well-tended yards and zombies appeared on the porches. It’s just a warm-up for Christmas, Diego has said: more candy, more pretty lights. But Martín cannot make peace with this holiday, and this very morning, heading to work, he tried to kick over a coffin. Diego had to drag him away.

Now the red baby ghost, its string unbroken, stepdances madly across the gray air, and wooziness does Martín in. With a groan he sinks back to his knees.

“Vos, what’s wrong with you now?” says Diego. “Are you sick or something?”

Gently clasping his stomach, Martín shakes his head. It’s not entirely a lie.

“What is it, then?” Diego sets down his rake. “You still worrying after that girl?”

Martín stares at the dead grass between them. “She hasn’t come back,” he admits.

… to order, continue here.

An essay by Peter Orner appears in the The New York Times:

Always hard to believe the ways details vanish. Even what John Cheever once called the marvelous skulduggery of illicit love, time chips away and scatters, and what you’d thought would be seared for life? Reach for it, it’s gone.

We were still in our 20s though she was already married, a weird novelty. My first conflict with that specter: husband. Society’s great, dull bulwark. We met at another wedding. She was a friend of the bride’s. I was an old roommate of the groom’s. The husband hadn’t joined her. I’d come alone also. We were both in the wedding party and had been assigned to walk down the aisle, arm in arm. She wore a lemon dress. It was my first time in a tuxedo. . . . continue reading here.

2016-17 Beebe Fellow Alain Park at his Warren Wilson campus reading, Oct. 27, 2016.

A short story by Alain Douglas park (fiction, ’13) appears in The American Literary Review:

I Don’t Want Anything to Happen; I Want Something to Happen

Wednesday night, already dark, I fully intended to ask my lovely teenage daughter something quick about dinner, but she blew by me, dumped her green army bag on the tiles and headed to the bathroom. I’d been standing there awhile, smoking at the sink, trying to figure out what to make.

Hey, ClaireBear, good to see you, I said to the air, which, wouldn’t you know it, didn’t say anything back.

A typical scene since Claire’s moved in, because she doesn’t want to live with her mom right now, because her mom is getting remarried and Claire can’t stand the creep. I said, sure, I got room, I’ll take the couch. It’s no bother. And most days it isn’t. I don’t see her all that much. I see her green army bag more than her. It’s tattered and covered with safety pins and Sharpie and has been one of my best friends lately.

Last Wednesday when she came in, she tossed my little friend right into the cardboard boxes I’d brought home from the restaurant and stacked in the middle of the kitchen. … continue reading here.

Three poems with audio by Rebecca Foust (poetry, ’10) appear in The Cortland Review:

Parts of Speech

We came to a grove and you drew me in;
I wondered about our right to wander
where we would in that wood of old pine,
my hand in yours and yours in mine.
Fair was the raiment of cloud overhead.
Or it was not fair, or it was just

… to continue reading “Parts of Speech,” and to read “Let Deer” and “Moose, Bear and the Moon,” click here.

A story by Eric Rampson (fiction, ’16) appears in Typishly:

 

The Ornamental Hermit

Editor’s background note for the uninitiated: Wikipedia tells us that “ornamental hermits were hermits encouraged to live in purpose built hermitages, follies, grottoes, or rockeries on the estates of wealthy land-owners, primarily during the 18th century. Such hermits would be encouraged to dress like druids and remain permanently on-site, where they could be fed, cared-for and consulted for advice or viewed for entertainment.”

To: The Ornamental Hermit

Re: Termination

Elliott,

I hope this email finds you well. Diane and I are very much enjoying Tahiti—there is a pool directly outside the front door of our cabin while the beautiful sliding doors at the back open onto a flat wooden deck suspended over pale blue crystalline water warm as syrup and deep enough to dive into.

Your emotional state, I must admit, is less of a hope and more the reason I’m writing to you, sitting on that same flat deck, the waves lapping gently below me while Diane (who has agreed to wear high-heels with her bikini, at least around the cabin) suns herself in front of me, on her stomach, feet in the air behind her, ankles crossed. She is still so very lovely. And the high-heels? I don’t need to explain their effect, do I?

And that’s the problem. There was a time, back when we hired you, when you first moved into the grotto and the moss coloring the stones of your hut was still that fake, painted-on stuff, back then I would most certainly have had to explain the effect of a high-heel shoe not just on the leg of a beautiful woman but on the heart, mind, and baser instincts of the modern man. But it seems now that you understand perfectly what I mean.

Well maybe not a high-heel, specifically, but, you know, about the sexual, romantic power of the fairer sex.

… continue reading here.