Warren Wilson Commencement Address   7/14/17

To our amazing class of graduates, and to their devoted, forbearing, patient and generous parents, children, spouses and friends, I want to begin by saying how privileged I am to be up here to officially congratulate you all on this happy day of celebration. This achievement surely belongs to all of you. Think back, beloved graduates, to the day you announced to your families your intention to pursue an MFA, or even further back when you revealed to them your passion for writing. In my case, I was sixteen years old when I let slip to my parents that I intended to make my way in the world as a poet. I come from a long line of MD’s, not doctors, but meat dealers. You can imagine how my parents took the news. My father said, “A what?” as if I’d just announced plans to become a shepherd or a male belly dancer. “A poet.” I said. I want to write poetry for a living. Was I joking? Was I trying to disprove the stereotype that all Jews make money? Didn’t I realize I wouldn’t make enough to buy a pair of slippers. I said something to the effect that making enough isn’t what I want from life. My dad shot back, “Then be a lawyer for god’s sake, you’ll make more than enough!” Your families, I’m sure, weren’t quite as nonplussed as mine. For here they all are, today, not just to applaud your achievement, how far you’ve come, how hard you’ve worked, but to give you hope and courage for the marathon you’re about to run.

The undeniable and irreducibly unique abilities that got you accepted to this program in the first place have now been challenged, cajoled, goaded, and “annotated” into what I think of as the two ingredients indispensable to a writer’s life: humility and arrogance, humility that acknowledges the need to never stop learning, and the arrogance that assumes you’ll always be smart enough to learn anything that someone else is smart enough to teach you. Above and beyond refinements of craft, this program has taught you that writing is itself a life long non-degree conferring program from which there is no graduation, and that the longer you work at the art we love, the more of a beginner you become. As graduates of Warren Wilson, you have now officially entered the Ground Hog Day Academy of the writing world, in which everyone’s a permanent freshman and every day’s the first day of class. Read more

In or near Asheville?  Here’s why you should get up to campus for our readings:

From fiction writer Christopher Castellani:

The slate of evening readings at Warren Wilson is like a “Best-Of” playlist. You sit back and enjoy ten-minute samples of some of the best literary fiction and poetry written by both established and emerging voices. The work is often new or in-progress, available only in that form on that one night, which makes for an exciting sneak preview as well as a window into the process of drafting and revision.
From poet C. Dale Young:
It is a rare thing to have the chance to hear more than 20 acclaimed writers, many of whom have won major book awards and fellowships, read over the span of one week. Every January and July, the greater Asheville area has just such an opportunity with the nightly MFA faculty readings at Warren Wilson.
From fiction writer Andrea Barrett:
Warren Wilson is my favorite place to read, as well as my favorite place to listen to readings. I love the mixture of fiction and poetry, the variety, and the consistent brilliance of my MFA colleagues—that sense, when we’re reading together, that we are all joined in a shared project, blissfully contributing our own little bit to something larger. What a treat, to visit this heavenly snack bar of literary delights!
 
From poet Heather McHugh:
These residency readings are remarkable for casting light on a range of literary arts, and for setting a high bar for performance. There is a scatter of discerning fellow-artists throughout the audience each night to keep all of us percolating, right in the midst of an arts residency’s ten-day exchange of ideas and excitements. Readers and listeners are all artists themselves, gifted across a broad array of modes. That fact contributes to a feeling of ongoing colloquium each evening, a kaleidoscope of contemporary literary figures and tones that resolves, finally, into an incomparable esprit de corps.
Between now and July 14, check here on the blog for the schedule of daily readings and lectures.

 

 The MFA Program for Writers at Warren Wilson College 

Public Schedule – July 2017 

The public is welcome to attend the morning lectures and evening readings in fiction

and poetry offered during the Master of Fine Arts Program summer residency.

Events last approximately one hour. Admission is free. The schedule is subject to change.

For more information, call the MFA Office: (828) 771-3715 

Readings will begin at 8:15 PM in Gladfelter, Canon Lounge, unless indicated otherwise.

READINGS by FACULTY 

Wednesday, July 5—8:00 PM 

Ana Menéndez, Maurice Manning, Hanna Pylväinen, Robin Romm, C. Dale Young

Thursday, July 6 

Stephen Dobyns, Daisy Fried, Matthew Olzmann, Dominic Smith, Sarah Stone

Friday, July 7 

Brooks Haxton, Debra Spark, Peter Turchi, and a tribute to Thomas Lux

Saturday, July 8 

Karen Brennan, Christopher Castellani, Jeremy Gavron, Rodney Jones, Sally Keith

Sunday, July 9 

Debra Allbery, Andrea Barrett, Alan Shapiro, Robert Boswell

Monday, July 10—no readings 

Tuesday, July 11 

Liam Callanan, Heather McHugh, David Haynes, Paul Otremba, Laura van den Berg Read more

The MFA Program for Writers at Warren Wilson College is delighted to announce the faculty for its summer 2017 semester:

Debra Allbery (Director)

Andrea Barrett

Robert Boswell

Karen Brennan

Liam Callanan

Christopher Castellani

Stephen Dobyns

Daisy Fried

Brooks Haxton

David Haynes

Jeremy Gavron

Rodney Jones

Sally Keith

James Longenbach

Maurice Manning

Heather McHugh

Ana Menéndez

Matthew Olzmann

Hanna Pylväinen

Robin Romm

Alan Shapiro

Dominic Smith

Debra Spark

Sarah Stone

Peter Turchi

Laura van den Berg

Ellen Bryant Voigt

C. Dale Young

The MFA Program for Writers at Warren Wilson College is delighted to announce the faculty for its summer 2017 semester:

Debra Allbery (Director)

Andrea Barrett

Robert Boswell

Karen Brennan

Liam Callanan

Christopher Castellani

Stephen Dobyns

Daisy Fried

Brooks Haxton

David Haynes

Jeremy Gavron

Rodney Jones

Sally Keith

James Longenbach

Maurice Manning

Heather McHugh

Ana Menéndez

Matthew Olzmann

Hanna Pylväinen

Robin Romm

Alan Shapiro

Dominic Smith

Debra Spark

Sarah Stone

Peter Turchi

Laura van den Berg

Ellen Bryant Voigt

C. Dale Young

Look for details in late June, here on the blog, about the public lectures and readings during the residency.

Visit  THE MFA STORE to find the latest batch, as well as 20-years of outstanding presentations from current and past faculty members.

And visit our YOUTUBE channel to watch preview clips of some of our recent lectures.

It’s my great pleasure to welcome our new MFA blogging intern, Daniel Jenkins.  A student in the poetry program, Daniel lives and works in the Virginia suburbs of DC where, despite all evidence, he remains hopeful for the prospects of the local NFL franchise.

Thanks to Megan Williams for her outstanding service over the past year.

AND we’re pleased today to offer you an update of the schedule for AWP panels featuring faculty and alums of the MFA program.  As before, if we missed you, let me know immediately.  An updated version will be available at the program booth in the book fair.

Download the current version here:

[media-downloader media_id=”8290″]

 

OR read the entire list below: Read more

The following remarks were given by Daniel Tobin (poetry, ’90), Poetry Faculty, MFA Program for Writers at Warren Wilson College, on January 12, 2017.

Graduation Remarks, Program for Writers at Warren Wilson College, January 12, 2017

What better way to begin my first foray into an unfamiliar genre—in this case the venerable custom of offering graduation remarks—than with the familiar welcome to fellow faculty, to the college’s administration and staff, and especially to this residency’s graduates, their families and friends. We join together today in our own admittedly quirky but beloved ritual, our own eccentric and ebullient take on tradition, to celebrate the achievement of our newest graduates, an accomplishment that to my mind at least is neither an arrival nor a departure, but something more like an indelible, essential way-marker or station along a pilgrimage, though the route ahead isn’t entirely known—an understatement–and the way here was anything but singular. Rather, each of us found our passage to this unassuming magic mountain through the clearings and bewilderments of our own lives, and though it may have felt like it at times, none of us made it this far by themselves.

I say “none of us” now with some conviction since I, too, am a graduate of the program, and I’ve been doubly honored over the years to teach here with many of my own esteemed teachers, fellow writers, friends—all scarily brilliant people. That deep and extensive sense of community makes me want to revise the word “familiar” I used above to “familial,” especially since this program does nothing if not seek to dislodge “the familiar” from its moorings in the received idea, the received poetic image, the received narrative plot, and to help us to encounter the world again, to borrow from Wallace Stevens, in a manner “at once more truly and more strange.” “Familial” is also truer to the experience of community one encounters in the program, and after one leaves the program. And it is truer to the kind of support given by partners, husbands, wives, fathers, mothers, sons, daughters, and friends without whom their beloveds might not have been able to embark on their individual artistic paths as short story writers, novelists, poets, much less make their way to standing here today.

Read more

Public Event Schedule

Join us for faculty lectures at 11 a.m. in Canon Lounge in Gladfelter:

ANDREA BARRETT: The Transformation: Virginia Woolf  and The Years

In 1931, Virginia Woolf made her first notes for what she called “an Essay-Novel, called The Pargiters—and it’s to take in everything, sex, education, life, etc.” By 1934 she had a 900-page draft, which she revised heavily several times. By 1936 she was in such despair about the novel that she nearly collapsed; she revised again in what Leonard Woolf called “the most drastic and ruthless way,” set that draft in page proofs—and revised still more. The Years as we know it—radically different from her earlier conceptions–was published in 1937. I’ll talk about Woolf’s path through that massive structural revision and what we might gain by a similar effort. No prior reading necessary; handouts provided.

Join us at 8:15 p.m. in Canon Lounge in Gladfelter for a reading featuring faculty members:

Marianne Boruch
C.J. Hribal
Eleanor Wilner
Peter Orner

For more information, including a full schedule of public events, please visit the program website at http://www.wwcmfa.org/public-schedule-for-mfa-winter-residency-is-here/.

Public Event Schedule

Join us for faculty lectures in Canon Lounge in Gladfelter:

Friday, January 6 -9:30 AM

C. J. HRIBAL: The Intimate Distance of Bohumil Hrabal 

Novels and stories narrated in the first person are essentially monologues, but what happens when this is taken to an extreme? Bohumil Hrabal likes to call his writing style “palavering,” or as the critic James Wood calls it, “anecdote without end.” His narratives move forward through narrators who, once they’re wound up, just keep talking and talking and talking, spilling all their (and other people’s) secrets, like the singer in Sonny Boy Williams’ “Don’t Start Me to Talkin’” (“Don’t start me to talkin’, I’ll tell everything I know”). This lecture will serve as an introduction to Hrabal’s work, with attention paid to what we can learn from this highly idiosyncratic style. Texts discussed will include: Closely Watched Trains, I Served the King of England, and Too Loud a Solitude. Other texts referred to will include The Little Town Where Time Stood Still, Dancing Lessons for the Advanced in Age, and his story collection, The Death of Mr. Baltisberger (among others). Handouts will be provided, but reading one of the above is recommended.

Friday, January 6 -10:45 AM

ELEANOR WILNERDisguise and Discovery: The Masks of Art

The talk will explore opposing uses of the mask in the world of doing vs. the world of making; in the latter, the role of the mask of art in the imaginative opening of identity to plurality, and of self to other. Handouts will be provided.

Join us at 8:15 p.m. in Canon Lounge in Gladfelter for a reading featuring faculty members:

Martha Rhodes
Kevin McIlvoy
Connie Voisine
Laura van den Berg

For more information, including a full schedule of public events, please visit the program website at http://www.wwcmfa.org/public-schedule-for-mfa-winter-residency-is-here/.