Public Event Schedule
9:30 AM
Ransom Fellowship Hall
Kevin McIlvoy: DESINENCE
In this lecture I will concentrate upon the work of Henry David Thoreau, specifically the journal in which he uniquely accomplishes his poetic expression and his natural storytelling. Thoreau’s literary contributions, which defy categorization into genres, mark all of American literature that reckons with the tragic and comic moments in which one attempts to reconcile spiritual and savage impulses, the paradoxes when one attempts to “let his mind descend into his body.” While reflecting upon Thoreau’s generative journal-keeping methods and his storytelling and poetry, I will specifically comment on what his work teaches us about the writer’s approaches to desinence, the coming-to-an-end moment. This is an “answering” lecture to my long-ago lecture on “imminence” (the about-to-be moment).
To prepare for this lecture, saunter.

 

10:45 AM
Ransom Fellowship Hall
Alan Shapiro: On Convention and Self-Expression
Convention and self-expression are often thought of as mutually exclusive or at least antagonistically related. In this lecture I hope to show how impersonal conventions and personality are or can be not only mutually entailing, not mutually exclusive, but that the very notion of self is inconceivable apart of the impersonal means by which self is expressed. Along the way we’ll look at poems by Philip Larkin, Ben Jonson, J.V. Cunningham, Dan Pagis and Natalie Diaz.

Then join us at 8:15pm in Ransom Fellowship Hall for a reading featuring graduating students:
Anu Bharadwaj
Noah Friedman
Leslie Koffler
Lesley Valdes
Catherine Meeks
For more information, including a full schedule of public events, please visit the program website at http://wwcmfa.org/.

Public Event Schedule

Join us at 8:15pm in Ransom Fellowship Hall for a reading featuring graduating students:
Nathaniel Krause
Cynthia Quiñones
Sumita Mukherji
Rachele Ryan
Karen Smyte
For more information, including a full schedule of public events, please visit the program website at http://wwcmfa.org/.

Public Event Schedule

Join us at 8:15pm in Ransom Fellowship Hall for a reading featuring faculty members:
Debra Allbery
David Haynes
James Longenbach
Kevin McIlvoy
For more information, including a full schedule of public events, please visit the program website at http://wwcmfa.org/.

Public Event Schedule
9:30 AM
Gladfelter Cannon Lounge
Maurice Manning: Hear Lies Andrew Baker: An Epitome on Figures of Speech
As the title of this lecture implies, I will offer a survey of figures of speech, how they indeed come to us through speech (through the ear first, as Frost advises), and how they work to enrich and enliven our writing. The lecture will look at portions of poems by Emily Dickinson, Paul Laurence Dunbar, Robert Hayden, Philip Larkin, and Edward Thomas.

10:45 AM
Gladfelter Cannon Lounge
Lauren Groff: Islands
“We are like islands in the sea,” William James wrote, “separate on the surface but connected in the deep.” Solitude breeds loneliness; human communication rose to salve, if not solve, our essential loneliness. During this lecture, we will think our way through issues of morality and connection through texts likely to include Daniel Defoe’s Robinson Crusoe, J.M. Coetzee’s Foe, Elizabeth Bishop’s “Crusoe in England,” Derek Walcott’s Omeros, Anton Chekov’s Sakhalin Island and Tom McCarthy’s Satin Island.

Then join us at 8:15pm in Gladfelter, Cannon Lounge for a reading featuring faculty members:
Charles Baxter
Stephen Dobyns
Debra Spark
Ellen Bryant Voigt
For more information, including a full schedule of public events, please visit the program website at http://wwcmfa.org/.

Public Event Schedule
9:30 AM
Ransom Fellowship Hall
Debra Spark: Jump Already
I am interested in looking at moments in artists’ lives when they move significantly forward, when they realize that, for whatever reason, the old way of doing things or thinking about things is not working, and they need to try something else. I’m interested in dead ends that are opportunities in disguise, failures that are, in hindsight, the necessary step to a new way of creating. To this end, I want to look at artistic leaps, particularly ones that bring students out of their apprenticeships and into their full creative selves and more seasoned writers through and beyond their talents to their most distinctive, original work. The focus will be on the material and craft “a-has!” that occasion development. I’ll be considering the work of Rick Russo, Joan Silber, Steve Stern, and Joan Wickersham, as well as a few painters. No reading required.
10:45 AM
Ransom Fellowship Hall
Rodney Jones: Overriding the Autobiographical First-Person Default: Writing Poetry in Fictional Points-of-View
This lecture will discuss the predominant use of autobiographical first-person point-of-view by contemporary poets as an outgrowth of both the Romantic poetic sensibility and of the contemporary workshop, discuss the difficulties of overriding that model, and argue for the advantages of using points-of-view usually associated with fiction. It will feature close readings of several pertinent texts, including selections from Ann Carson’s The Beauty of the Husband, Ellen Bryant Voigt’s Kyrie, and Michael Ondaatje’s The Collected Works of Billy the Kid.

Then join us at 8:15pm in Gladfelter, Cannon Lounge for a reading featuring faculty members:
Brooks Haxton
Caitlin Horrocks
C. Dale Young
Peter Turchi
For more information, including a full schedule of public events, please visit the program website at http://wwcmfa.org/.

Public Event Schedule

9:30 AM
Ransom Fellowship Hall
James Longenbach: The Construction of Voice
Let’s say you want to write a sentence that by its fourth or fifth syllable makes its readers feel instantly engaged with an interlocutor, as if the sentence were not written but spoken. We often refer to the “voice” or the “speaker” of any piece of writing, but of course these are metaphors: if we feel strongly the illusion of a speaking voice it is because diction, rhythm, and syntax have been manipulated strategically to create that illusion. This lecture will examine the precise ways in which the illusion of spokenness is constructed almost instantly and then sustained over time in John Donne’s “The Canonization” and D. H. Lawrence’s “Pomegranate”; moving away from these primary examples, the lecture will also look at sentences by Robert Browning, Marianne Moore, T. S. Eliot, Louise Gluck, John Ashbery, and Frank Bidart; in addition, it will examine prose passages by D. H. Lawrence and James Joyce.

 

10:45 AM
Ransom Fellowship Hall
Charles Baxter: The Poet’s Story and the Dramatic Image
In trying to think about how dramatic images can carry the weight of a story’s emotions, particularly the most intense ones, I find myself going beyond what T. S. Eliot called “the objective correlative” and into the realm of the image that can stop time altogether for the sake of an almost mythic intensity. Such images can bear the weight of a powerful emotion more steadily than discursive language can. These are images that do not easily give up their meanings but somehow seem “right” within a narrative. I will probably use Janet Kauffman’s story “The Easter We Lived in Detroit” and Wright Morris’s story “A Fight Between a White Boy and a Black Boy in the Dusk of a Fall Afternoon in Omaha, Nebraska,” but students interested in this problem may want to hunt up Elizabeth Bishop’s stories and Timothy Findley’s novel The Wars. Other good examples of what I’m getting at are Sherwood Anderson’s “The Corn Planting,” Yasunari Kawabata’s story “The Sparrow’s Matchmaking” and, for poets, Edwin Arlington Robinson’s “Eros Tyrannos.”

 

Then join us at 8:15pm in Ransom Fellowship Hall for a reading featuring faculty members:

Robert Boswell
Rodney Jones
Sarah Stone
Maurice Manning

For more information, including a full schedule of public events, please visit the program website at http://wwcmfa.org/.

Public Event Schedule

Join us at 8:15pm in Ransom Fellowship Hall for a reading featuring faculty members:
Samantha Chang
Alan Shapiro
Lauren Groff
Monica Youn

For more information, including a full schedule of public events, please visit the program website at http://wwcmfa.org/.

The MFA Program for Writers at Warren Wilson College is delighted to announce its July 2015 faculty:

Debra Allbery (Director)
Charles Baxter
Robert Boswell
Lan Samantha Chang
Stephen Dobyns
Daisy Fried
Lauren Groff
Brooks Haxton
David Haynes
Caitlin Horrocks
Rodney Jones
A. Van Jordan
James Longenbach
Heather McHugh
Kevin McIlvoy
Maurice Manning
Alan Shapiro
Joan Silber
Debra Spark
Sarah Stone
Peter Turchi
Ellen Bryant Voigt
Monica Youn
C. Dale Young

AWP Minneapolis kicks off today and we want you to join us!

The MFA Program for Writers at Warren Wilson College invites its students, graduates, and faculty to stop by the Program’s Bookfair table (#651), to attend the more than 50 panels featuring our own (see the revised and updated schedule and descriptions attached below!), and to attend our annual party, which will be held from 9 to midnight at the Burnet Art Gallery in the Le Meridien Chambers Minneapolis, 901 Hennepin Avenue. There will be light refreshments and a cash bar.

We’ll also be hosting a pre-reception event in the same space from 7:30 to 8:30–an informational gathering for prospective students of color. So if you know writers of color who are contemplating applying to MFA programs, please encourage them to attend–or accompany them!–to this event.

We look forward to seeing you this weekend!

AWP Schedule 2015

AWP 2015 At-A-Glance

 

Join us at AWP Minneapolis!

The MFA Program for Writers at Warren Wilson College invites its students, graduates, and faculty to stop by the Program’s Bookfair table (#651), to attend the more than 50 panels featuring our own (see schedule and descriptions attached below!), and to attend our annual party, which will be held from 9 to midnight at the Burnet Art Gallery in the Le Meridien Chambers Minneapolis, 901 Hennepin Avenue. There will be light refreshments and a cash bar.

We’ll also be hosting a pre-reception event in the same space from 7:30 to 8:30–an informational gathering for prospective students of color. So if you know writers of color who are contemplating applying to MFA programs, please encourage them to attend–or accompany them!–to this event.

We look forward to seeing you this April.

AWP Schedule 2015

AWP 2015 At-A-Glance