The MFA Program for Writers at Warren Wilson College mourns the passing of poet Paul Otremba who joined the program’s faculty in 2017. Author of three books, Currency (Four Way, 2009), Pax Americana (Four Way, 2015) and the forthcoming Levee (Four Way, 2019), he received a Bread Loaf Writers’ Conference fellowship, a Barthelme Memorial Fellowship, a Krakow Poetry Seminar Fellowship, and a prize from the Academy of American Poets. Paul’s unassuming brilliance as a poet and teacher, his steady warmth and kindness, and his generous spirit will long be remembered by his colleagues and students here. 

CONSTELLATION

It’s the space between them we can count on,
more constant than the light we claim
our fortunes by, and because we’ve proved
this janky wooden plank in the argument
we can proceed another premise, one body’s-length
farther along the surface. You could bet
your hemlock on it, or the next timid step
across the fogged-up mirror of the iced-over lake.
The state is ill; therefore, I am ill.
Hippocrates thought of the crab
because of its legs reaching out like tendrils,
like gossip’s sideways whispering
through the crowd of swollen flesh.

Then leaving my surgeon’s office
I had to step over the splayed fingers
of a spidering slick of oil in the parking lot,
which I tried to read like the lines in my palm.
My dreams, too, have become nebulous,
intense, and frequent, and just after waking
they take on the blankness of the bayou’s face
when the stars black out behind clouds.
It’s like a joke from some low-grade
and obvious comedy—how do you not get
out of the way of an oncoming steamroller?

I am learning the difference between urgency
and importance. Although, they often meet
at the more accusatory places. To the monarch
butterfly breaking loose of her chrysalis,
the twitter of the state is urgent.
The icy-blue eye of the flipped-over iceberg
has been here long enough to know what’s important.
I place my hand against the window
and I’m met by the dark’s aged coolness.
The light passing through me in many strands
from the cluster of bees set in the night sky
happened so fast and so many years ago,
there wasn’t even a thought of me being born.

Reprinted with permission from Four Way Books.

Photo by Joseph Nieves

Good afternoon, graduates, and welcome to their beloved spouses, partners, children, parents, poet pals, and friends. As much as all the writers in the room, you, the dear friends and loved ones of our students, make this unique, weird, program possible. If you’re here today, you have done one of the most difficult and loving acts you can do for someone: you’ve supported them as they pursued a passion that you may not fully understand. Thank you for that.

Several years ago, at a fairly dull conference in some forgettable city, I was seated with some of my writing pals, sipping drinks in a hotel bar. There was one other man in the bar, dressed in casual business wear, and he kept looking at our table. He could hear us erupting with laughter, and he could see we had the good-natured, affectionate slouches of old friends gathered after a long day.

He wasn’t dreadfully drunk, but he was on his way there, when he pulled up a chair at our table and said, “So, this some kind of work thing? What do y’all do?”

I finally confessed: “We’re writers,” I said. “We write books.”

“Huh,” he said. “Well, I hate writing…not much of a reader either.”

We greeted this with silence, with hopes the man might leave us alone, so we might go back to those riveting jokes we tell each other that nobody else understands—I’m gonna rewrite that poem in spondees, hahahaha, or what would free indirect speech even look like in first person, lol.

But this particular party crasher, a salesman by trade, regrouped, grinned again, and said:

“Well, what about hobbies?” he said. “What do you guys do for fun?”

Another awkward silence at the table.

“Uh,” we said. “Read and write?”

“Oh for Pete’s Sake,” the man said, and went off in search of a livelier crowd.

Most writers don’t have a lot of hobbies. We have engaging distractions or occasional obsessions that feed our work, but no real hobbies. Sometimes, when small-talking strangers ask me about my hobbies, I lie.

I like hiking, I say, though I don’t admit I mainly like hiking because I enjoy walking around thinking about whatever it is I’m trying to write. I do like dancing, though in truth I only like to dance when I’m surrounded by other writers.

You get the idea.

In the weeks ahead, some well-meaning people will tell you that now that you have an MFA, they can’t wait for you to win the Pulitzer or land on the bestseller list.

These are things people usually say because they love you and think you are capable of anything.

But it is a curious question that people seem to ask emerging writers of all ages when they leave a writing program.

“What’s next?”

If someone you know comes back from a golf weekend in Lake Tahoe, you don’t ask them, upon their return, if they’re joining the PGA next week. When a friend returns from Cancun and shows you vacation photos, you don’t ask her if she plans to become a professional parasailer.

We just understand that these people spend time and resources and energy doing something they love, without expectation.

But artists who invest in themselves as artists are almost always asked, “What’s next? What will you do with that?”

The truth is you have no idea what’s next. At Warren Wilson, you made the brave and probably inconvenient decision to dedicate yourself wholly to your art for no reason other than you love to do it.

Or, maybe, it was more than love; maybe, as I talked about in my opening lecture this year, it was survival. In fact, if you really want to shut down the “what next” questions about your writing career, when someone says “So what can you do with thatdegree?” just say, “Baby, I can come alive.”

For the past few years, we’ve seen you come alive as you’ve put this creative work on the proverbial front burner. But the truth is, we all have times in our life where what we love to do is not on the front burner. It’s not even on the back burner. It’s not even in the kitchen with you and the kitchen you’re in is not even a cool kitchen. It has crappy light and a low ceiling and busted fridge and your credit card will be maxed out. I have no doubt in my mind that all of you will be in this kitchen sometime in the years ahead, with nothing on the burners.

And when that happens, I hope you will remember that you can love this life even when you can’t live it seven days a week. You can love this life even when there’s no mentor waiting at the other end of your outbox every three weeks.

Why? Because all the work you’ve done these past few years will never disappear. The manuscripts you’ve written will evolve and take new shapes and the books you’ve read and re-read will evolve and offer you new meanings and your way of being in the world will constantly evolve as this happens. That will never end.

This evolution will happen in your most secret, interior places; this will happen in your darkest, strangest times, BECAUSE what you’ve done in the past few years is an incredible and revolutionary accomplishment in our current world: you’ve transformed and celebrated and respected your inner life.

If there were any doubt that you could call yourself a writer before this program, let it leave you today. You have survived the nerdiest, most intense, hardest working creative writing program on Earth. And you’ve given us so much–your struggles in the program and the concerns you’ve raised have also helped us grow. We, as a community of writers, we, as your mentors, have benefitted not just from your triumphs but also from your moments of uncertainty, anger, and struggle. I believe that we have benefitted from seeing the real you, your true self. As I like to say to my students, you can’t hide in a packet.

One of the most pernicious and insidious elements of contemporary American culture is that it has the ability to constantly give you new reasons to hate yourself. To hate who you are or how you look or what you lack or where you’re from or how you feel and what you say.

But right now, in this moment, I hope that you love yourself. Love yourself for enduring the struggles and challenges. Love yourself for considering yourself worthy to study literature and to create your own. Love yourself for surrounding yourself with the people who build you up and not the ones who tear you down. Love yourself for your radical creativity.

Family and friends, we return these writers to you today as changed beings.

Is this hyperbolic?

I don’t think so. They’ve changed. They don’t love you any less, but they do love themselves more. And by loving themselves more they will also love you more wholly and expansively in the years ahead and in doing so love the world more and transform it.

Graduates, I truly hope you leave here today loving yourself more than you did two or three or four years ago. You may occasionally doubt the work, or hate the slow pace of your “career,” or struggle with systems intractable and ignorant.

But when those feelings of self-loathing or panic or doubt creep in, I want you to remember this moment, this day, when you love yourself because you were true to your calling.

I mean it. I invite you, come back to this very moment. Forget everything else. Focus on the love you now have for yourself, right here, in this space, among your people. Focus on the love you have for literature, and the ways it saves you, and for others on that same journey. Focus on my unkempt beard, if you must. But do whatever you need to do to remember this moment of self-love and creative power and tap into it daily.

This feeling, these mountains, this community of writers, right now is all real and it’s here in front of you, but later, you can visit it within yourself whenever you want. It’s not going anywhere.

But you are.

May the world welcome your new self with an open heart.

Sarah Audsley (poetry)

Lily Chiu-Watson (poetry)

Lillian Huang Cummins (fiction)

Alyson Dutemple (fiction)

Michael Feigin (fiction)

Jodie Free (fiction)

Faith Gomez Clark (poetry)

Timur Karaca  (fiction)

Anh Phuong Le (fiction)

Cecille Marcato (poetry)

Elizabeth Mayer (fiction)

Angel Nafis (poetry)

Hieu Minh Nguyen (poetry)

Hannah Torres Peet (poetry)

Sonja Srinivasan  (fiction)

Sea Stachura (fiction)

Aaron Strumwasser (fiction)

Candace Walsh (fiction)

Rachel Wolff (fiction)

Kelsy Yates (fiction)

Saturday, January 12th     

Readings and lectures are held in the Region Room of Blue Ridge Center at Blue Ridge Assembly. 84 Blue Ridge Circle; Black Mountain, NC 

Faculty Lectures        

9:30 AM

JANE HAMILTON ~ In Praise of No Big Idea

Many writers seem to feel a pressure to write topically, to take up the mantle of activism in fiction as we try, among other things, to figure out where we are, how we got here, and how to channel outrage into action. Is the coming-of-age novel, then, irrelevant, and that old matter of what it means to be human an antiquated question?  Does every identity group have a different truth, a different answer?  I’m going to consider Jane Gardam’s work, especially her coming-of-age novels, BilgewaterThe Flight of the MaidensA Long Way from Verona, to try to get at how she writes about matters that were topical to her time without seeming to be topical.  (Has she in fact written “timeless classics”, or is the Brit born in 1928 going to soon disappear from our lists?)  Intercalated into her sentences is a secret mirth.  How does she lace subject-verb-object with joy?  To use Thomas McGuane’s phrase, Can it be said that she has found a language for the real?

 10:45 AM 

MAURICE MANNING – 17 o’clock: Reading and Writing Beyond the Self

This lecture will emphasize the value of reading and writing beyond one’s personal experience and beyond one’s identity in order to dramatize events, situations, and observations that have a broader appeal. Of course, the writer’s identity and experience cannot truly be separated from the writing, but I’d like to explore the possibilities of a literary self, a creature who may be distinct from the person of the writer.  The literary self, to mangle a line from Marianne Moore, dines on imaginary toads while reposing in an imaginary garden.  No advance reading is required.

READINGS by GRADUATING STUDENTS

followed by Graduation Ceremony

4:30 PM

Lillian Huang Cummins

Alyson Dutemple

Angel Nafis

Hieu Minh Nguyen

Rachel Wolff

The public is welcome to attend the morning lectures and evening readings in fiction and poetry offered during the Master of Fine Arts Program winter residency.  Events last approximately one hour. Admission is free. The schedule is subject to change. PLEASE NOTE: The winter residency is being held at Blue Ridge Assemblyin Black Mountain, NC, not on the Warren Wilson College campus.

For more information, call the MFA Office: (828) 771-371

Friday, January 11th     

Readings and lectures are held in the Region Room of Blue Ridge Center at Blue Ridge Assembly. 84 Blue Ridge Circle; Black Mountain, NC 

Faculty Lectures        

10:45 AM

ALAN SHAPIRO – Mark Twain and the Ambiguities of Expertise

As teachers and writers, we often talk about the creative process in contradictory ways: on the one hand we celebrate the importance of craft, which is to say, of knowing what we’re up to when we write; on the other hand, we say that at our best we write by instinct, intuition, hunch—we try not to know too completely why we do what we do. We advocate for expertise and we distrust it. In this lecture we’ll look at Life on the Mississippito see what Mark Twain’s description of his training to pilot a steamboat can tell us about these inherent and inescapable tensions between will and inspiration, calculation and intuition when it comes to writing poems and stories.

READINGS by GRADUATING STUDENTS

Sarah Audsley

Michael Feigin

Jodie Free

Sonja Srinivasan

Kelsy Yates

The public is welcome to attend the morning lectures and evening readings in fiction and poetry offered during the Master of Fine Arts Program winter residency.  Events last approximately one hour. Admission is free. The schedule is subject to change. PLEASE NOTE: The winter residency is being held at Blue Ridge Assemblyin Black Mountain, NC, not on the Warren Wilson College campus.

For more information, call the MFA Office: (828) 771-371

Thursday, January 10th     

8:15 PM

Readings and lectures are held in the Region Room of Blue Ridge Center at Blue Ridge Assembly. 84 Blue Ridge Circle; Black Mountain, NC 

READINGS by GRADUATING STUDENTS

Lily Chiu-Watson

Cecille Marcato

Hannah Torres Peet

Sea Stachura

Candace Walsh 

The public is welcome to attend the morning lectures and evening readings in fiction and poetry offered during the Master of Fine Arts Program winter residency.  Events last approximately one hour. Admission is free. The schedule is subject to change. PLEASE NOTE: The winter residency is being held at Blue Ridge Assemblyin Black Mountain, NC, not on the Warren Wilson College campus.

For more information, call the MFA Office: (828) 771-371

Wednesday, January 9th     

8:15 PM

Readings and lectures are held in the Region Room of Blue Ridge Center at Blue Ridge Assembly. 84 Blue Ridge Circle; Black Mountain, NC 

READINGS by GRADUATING STUDENTS

Faith Gómez Clark

Timur Karaca

Phuong Anh Le

Elizabeth Mayer

Aaron Strumwasser

 

The public is welcome to attend the morning lectures and evening readings in fiction and poetry offered during the Master of Fine Arts Program winter residency.  Events last approximately one hour. Admission is free. The schedule is subject to change. PLEASE NOTE: The winter residency is being held at Blue Ridge Assemblyin Black Mountain, NC, not on the Warren Wilson College campus.

For more information, call the MFA Office: (828) 771-371

Monday, January 7th     

Readings and lectures are held in the Region Room of Blue Ridge Center at Blue Ridge Assembly. 84 Blue Ridge Circle; Black Mountain, NC 

Faculty Lectures        

11:00 AM                   

C.J. HRIBAL ~ You Want It Darker: Grappling with the Dark in Poetry and Fiction

Writers are “supposed” to write likeable characters with narrative arcs that bend towards, if not justice, at least redemption. But what if things instead bend sinister, descend into the dark, and possibly stay there? How does one write poetry or fiction that engages with the calamitous, the violent, the pessimistic, the tragic, while avoiding the gratuitous? Apocalyptic work seems fitting for these perilous political times. But there is darkness in the everyday as well: dark and violent acts are committed by or visited upon people, particularly the marginalized, and mayhem seems like a plausible response to the outrage. How can writers explore this darkness responsibly? A meditation on grappling with the dark in poetry and fiction. No required reading, handouts provided.

Faculty Readings 8:15 PM

Dean Bakopoulos

Gabrielle Calvocoressi

Maurice Manning

tribute to Tony Hoagland

Kevin McIlvoy, Antonya Nelson, Connie Voisine

The public is welcome to attend the morning lectures and evening readings in fiction and poetry offered during the Master of Fine Arts Program winter residency.  Events last approximately one hour. Admission is free. The schedule is subject to change. PLEASE NOTE: The winter residency is being held at Blue Ridge Assemblyin Black Mountain, NC, not on the Warren Wilson College campus.

For more information, call the MFA Office: (828) 771-371

Sunday, January 6th     

Readings and lectures are held in the Region Room of Blue Ridge Center at Blue Ridge Assembly. 84 Blue Ridge Circle; Black Mountain, NC 

Faculty Lectures        

9:30 AM                   

PABLO MEDINA ~ What are We Reading, the Poem  or the Translation?

We live in a translated culture. Many of the works we consider part of the Western canon have been translated from languages most of us do not have access to, from ancient Greek to Hebrew to Anglo-Saxon, and we make judgments on these works based on their translations, not the originals. When we read a poem translated from a language we do not know, we conveniently assume that the translation is equivalent to the original poem. This lecture will explore how we read translations and how we assign to them the same literary value as their originals. We will look carefully into Anne Carson’s versions of Sappho, Robert Lowell’s Imitations, and Eliot Weinberger’s translation of Vicente Huidobro’s Altazor.

10:45 AM                   

MARISA SILVER ~ The Mind of a Child                                                                                                 

Who are children? We think because we have been a child, or because we have children of our own, or know some kids really well, that we have access to what goes on inside their minds, how they perceive themselves, the world, and the adults who rule them. Yet, when considering our own childhoods, we are subject to memory, which is a fickle reporter at best. As for our children, do we really know what or how they think? Are their consciousnesses merely projections, overburdened by adult presupposition and our tendency to psychologize and explain?  In this lecture, we will discuss the particular challenges that arise when we put our work in the narrative hands of a child by looking at issues of narrative distance, perception and experience of time, language choice, and the child’s sense of his or her body especially as relates to sexuality. Texts discussed might include Shipwrecks by Akira Yoshimura, The Painted Bird by Jerzy Kosinski, Room, by Emma Donoghue, What Maisie Knew, by Henry James, and An American Childhood by Annie Dillard.

Faculty Readings 8:15 PM

Hanna Pylväinen

Alan Shapiro

Anna Solomon

Daniel Tobin

Laura van den Berg

The public is welcome to attend the morning lectures and evening readings in fiction and poetry offered during the Master of Fine Arts Program winter residency.  Events last approximately one hour. Admission is free. The schedule is subject to change. PLEASE NOTE: The winter residency is being held at Blue Ridge Assemblyin Black Mountain, NC, not on the Warren Wilson College campus.

For more information, call the MFA Office: (828) 771-371

Saturday, January 5th     

Readings and lectures are held in the Region Room of Blue Ridge Center at Blue Ridge Assembly. 84 Blue Ridge Circle; Black Mountain, NC 

Faculty Lectures        

9:30 AM                   

SARAH STONE  –  Eruption/Incandescence  

In those moments when the suppressed breaks into the open as conflict, as an unexpected action, as a flight of language, or as a confession, a work of fiction or poetry can reveal its teeth. Maybe the characters’ or speaker’s passions take over, maybe there’s a fight or truth that’s been on its way for a while. These eruptions can alter the rules a work has set out for itself in crucial structural and psychological terms and can create openings for complex resistance and re-evaluation on the part of the reader. Possible texts include Gabrielle Brant Freeman, “Girltrap”; Chimamanda Ngozi Adichie, Americanah; Aravind Adiga, The White Tiger; andGeorge Saunders, Lincoln in the Bardo.

10:45 AM

                             CHRISTINE KITANO –  The Poetics of Witness                                                                

This lecture will examine the literature of witness, that is, literature that aims, as Carolyn Forché states, to mark “a resistance to false attempts at unification.” Reality is difficult and messy, but the literature of witness and theories of trauma work to elucidate the troubled relationships between author, language, and subject. At stake in these issues are the following questions: What are our responsibilities as readers? As writers? How do we write as witness to the world, and how do we evaluate such writing? Is language capable of bearing witness? What do we do when language is inadequate?  Possible texts: poems by Plath, Lowell, John Yau, Gregory Pardlo, Cathy Linh Che, Solmaz Sharif; fiction and nonfiction TBD.

Faculty Readings 8:15 PM

Daisy Fried

C. J. Hribal

Marisa Silver

Dominic Smith

Connie Voisine  

The public is welcome to attend the morning lectures and evening readings in fiction and poetry offered during the Master of Fine Arts Program winter residency.  Events last approximately one hour. Admission is free. The schedule is subject to change. PLEASE NOTE: The winter residency is being held at Blue Ridge Assemblyin Black Mountain, NC, not on the Warren Wilson College campus.

For more information, call the MFA Office: (828) 771-371