“The Writing on the Wall: Graffiti, Poetry, and Protest in Egypt,” an essay by Andy Young (poetry, ’11) appears online at The Los Angeles Review of Books.
THE FACE OF 19-year-old Khaled Said, the catalyst for Egypt’s January 25 uprising, is stenciled all over Egypt. But if you walked down Mohamed Mahmoud Street, which ends in Tahrir Square, you would see his mutilated face after he was beaten to death by cop thugs. Beside his face, the artist Ammar Abo Bakr also depicts the disfigured images of other victims, including the young Shenouda Noshi Atteya, one of the 28 killed in the Maspero Massacre of October 2011, in which peaceful protesters, mostly Coptic Christians, were killed by the army.
The faces depict the fallen of Egypt’s revolution, a revolution that continues two years after Hosni Mubarak’s departure in February 2011. Mubarak’s regime was first replaced by the regime of the armed forces, and then by the current, increasingly repressive Muslim Brotherhood. These are the faces of the moment.
