Tag Archive for: David Shields|dominic smith|The Millions

A new essay by faculty member Dominic Smith is available online at The Millions. The essay, titled “Letter of the Law: On J.D. Salinger, Unpublished Works and US Copyright,” discusses, among other topics, faculty member David Shields’ new biography of J.D. Salinger:

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In the acknowledgments for Salinger, the new biography that accompanies the documentary about the reclusive lion of 20th-century literature, the authors state: “Most biographies include photographs of and letters to and from the biographical subject, but as in the case of someone as secretive as Salinger, photographs of Salinger and letters from him were extremely difficult to come by.”

David Shields and Shane Salerno are not the first Salinger biographers to be hampered by the author’s shadow life. In fact, current U.S. copyright law is bolstered by a former biographer’s clash with Salinger over access to the author’s unpublished letters. In the 1980s, Ian Hamilton excerpted from a slew of Salinger letters that had been donated to the archives of Harvard, Princeton, and the University of Texas at Austin. The letters were quoted extensively in a draft that went out to reviewers and that was planned for publication by Random House. When Salinger’s agent, Dorothy Olding, passed along an uncorrected proof to the author in late 1986, he formally registered his copyright in the letters and told his lawyer to object to the publication of the book until all contents from the unpublished letters had been removed. Hamilton acquiesced and revised many of the letter excerpts into close paraphrases. For example, “like a dead rat…grey and nude…applauding madly” became “resembling a lifeless rodent…ancient and unclothed…claps her hands in appreciation.” The artfulness of such paraphrases aside, they didn’t appease Salinger and he sued Random House for copyright violation, breach of contract (Hamilton had signed copyright forms at the archives in question), and unfair competition (it was sometimes ambiguous as to whether the words were Salinger’s or Hamilton’s; why would consumers buy actual books of Salinger letters?)

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