2021 poetry alum Hannah Silverstein was recently featured in the West Trestle Review. Read an excerpt of “Origin Story” below:

Origin Story

At twenty-two, my father
found an egg in his throat,
smooth as a stone.
 
It grew and grew, a bad tenant
nested in the apartment
of his thyroid, and my father
 
said nothing about it.
Those days, my mother
chain-smoked filtered Camels,
 
hiding her sadness under ashtrays
heaped with ruined ends.
They married, legend has it,
 
so he could hand off
the burden of speech
to someone—anyone—else.

Read the rest of this poem here: https://www.westtrestlereview.com/west_trestle_hannah_silverstein.html

 

2015 poetry alum Rose Auslander was recently featured in Juniper and the Baltimore Review. Read an excerpt of Auslander’s poem “Swan Days” below: 

 

Swan Days

That deceptive ease of floating, of flying, of leaving
& winging it back, of living rough, staying unruffled &
never once saying what you think. Of not thinking.

Read this poem in its entirety here: https://juniperpoetry.com/swan-days-by-rose-auslander/

 

Poetry alum J.C. Todd was recently featured in The Night Heron Barks. Read an interview with Todd here, and read an excerpt of Todd’s poem “In Whom the Dying Does Not End” below: 

In Whom the Dying Does Not End

Just as her eggs began
to cluster along
the genital ridge
and the neural groove
began to close, its cells
churning toward brain,
just as a vacuole
opened to become a mouth,
and nubs of her limbs budded,
Hafez, father of Bashar,
ordered the military
force of his regime
to crush the revolt of
the Muslim Brotherhood.
It happened in Hama
while I gestated, TV off,
newspapers unread,
in Harrisburg, my thinking
sludgy, speech cut back,
consumed by what I fed.

Read this poem in its entirety here: https://nightheronbarks.com/j-c-todd-in-whom-the-dying-does-not-end/

 

2019 fiction alum Candace Walsh was recently featured in Passengers. Read an excerpt of Walsh’s story “Christians and Poets” below: 

Christians and Poets

Dear Mrs. Gunderson,

Please forgive the tardiness of my reply to your letter sent twenty-three years ago. I re-encountered it while going through my mother’s bedside table drawer. I emptied her walk-in closet in under an hour. The women’s shelter volunteer comes tomorrow to pick up six big black garbage bag sachets wafting tea rose and Comet.

Leave it to a little wicker drawer of ephemera to slow my progress. Birthday cards from her mother. My sparse stack of letters from college. And then an envelope you once asked her to give me: a scalloped leaf of stationery folded over photocopied poems framed by dark toner, cleft down the middle by the gutter’s shadow. I remember reading the note, skimming the poems, and leaving the mess on her kitchen counter.

*

You were my first and second grade teacher, and I loved you so much the thought of summer recess[1] made me recoil. When I told my mother, she said I wanted to be your pet, a term that pricked warm at my spine. She didn’t seem to worry about what it meant that I’d imprinted on a short-haired woman who parted seas of children with a no-nonsense stride. 

You had an office off the classroom with a glossy wooden paddle on the wall, Bible verse posters, shelves of books, and a Mason jar of dried chickpeas. When I’d turn the jar, they’d tumble, rattle. They looked like little butts. I knew better than to point that out as I helped you staple handouts.

In class, you’d sometimes talk about your sons Ernest and Lawrence with a deep fondness that made me sad. I fantasized about being Ernest or Lawrence, I didn’t care which. I wanted to be your child, even if it meant being a boy. 

Do you remember that day in second grade when I came up to you, hand outstretched with the cluster of flowers I’d picked for you during recess? Their milk dribbled out of the downy stems and into my palms. 

You told me dandelions were weeds and I should throw them out. My belly felt like the freshly-emptied trash in which I dropped the scraggly blooms. Were you also meaning to discourage me from wooing you with flowers? Back at my desk, the dandelion milk on my palms dried as brown splotches. Proof of my cumbersome sun-shot fealty.

 

[1] 1. the action of receding; 2. a hidden, secret, or secluded place or part; 3. an indentation, cleft; 4. a suspension of business or procedure often for rest or relaxation (Merriam-Webster)

Read this story in its entirety here: https://www.passengersjournal.com/volume-3-issue-1-prose/#walsh

2006 fiction alum Scott Gould was recently featured in Pangyrus. Read an excerpt of “Playing Chicken” below: 

(Photo by Eli Warren) 

Playing Chicken

I am a home health nurse for Williamsburg County. My present occupation has not caused me to be shot at, molested, or otherwise screwed with because I am six feet, four inches tall and weigh two hundred and sixty-five pounds and have an attitude that repels ridicule like the back side of a magnet. The last time someone attempted humor in regard to me being a male nurse, I broke his nose. Then, I set it for him. I am a nurse because it required very little money and effort to get into tech school classes when I took leave of Parris Island, a garden spot where I lost both of my big toenails and sixteen pounds while I learned to be a war machine.

That is all to say that between then and now, I have put many a mile on my Plymouth Valiant, negotiating the swampy two-ruts of this county where people have more concern for the lotto numbers than their health. I have calculated the blood pressure of people who exist two ticks from a heart attack. I have listened to the sloshing lungs of those who smell like the insides of an ashtray. And I have wedged medicine spoons between the brown teeth of children who squirm like eels on hot sand. Through it all, I have come to believe that the human body is nothing more than a private trash heap that some of us fill to capacity faster than others.

Yet I do not come to preach. I come today with a message, and it is this: Folks you wouldn’t normally put together are winding up under the same roof. And they are getting along.

Not only are they getting along, they are growing intimately familiar and consequently having babies, crisscrossing boundaries like smugglers with a bag of dope and a bad sense of direction. It is perhaps a health situation to monitor.

Think about this:

Some months ago, I pulled the Valiant onto a road that paralleled a set of railroad tracks. Behind me, the tracks ran toward a pair of hills, where they disappeared into a curve of green trees growing so close to the tracks, the limbs were shaved and bare on one side from the constant scrape of freight cars. In front of me, the tracks eventually pulled up behind the Victoria Chicken Plant, where the slogan is right there, in big letters across the front of the building: We Are Why The Chickens Cross The Road.

During shift changes, groups of Hispanic men, wearing black hip boots and long white coats, walk between the plant and any number of trailer parks tucked in the trees along the tracks. I have an EMT buddy who gets summoned to the chicken plant once or twice a month when a line worker loses a finger to a bone saw or slips and hits his head and nearly drowns in the chicken goop on the floor. He says walking into the chicken plant is like strolling straight through the gates of hell. He told me once there isn’t enough money in the world to make him spend a shift in the chicken plant, and I told him he hadn’t been poor enough yet. I would work there before I’d starve. I just wouldn’t eat chicken tenders anymore. I would adapt.

Read this story in its entirety here: https://www.pangyrus.com/fiction/playing-chicken/

 

2014 poetry alum Daye Phillippo was recently featured in One Art. Read an excerpt of “Meanwhile the Moon is Missing” below:

Meanwhile the Moon is Missing

My six-year-old grandson, Sam, has run off with the moon again,
small, white plastic ball, cratered and lit from within that perches

perpetually full on the delicate fingertips of a white plastic hand
on my bookcase’s top shelf—Betty Adcock to A. Van Jordan,

Dickinson halfway between. The shelf is tall and so is Sam,
so the moon is within his grasp which is a metaphor I embrace

as in shoot for the moon! and the cow jumped over and one small step.
His fingertips are hungry for texture, so he rubs the cratered surface

the way phrenologists explored the size and shape of a cranium
to discern character and mental abilities…

 

Read this poem in its entirety here: https://oneartpoetry.com/2022/02/20/meanwhile-the-moon-is-missing-by-daye-phillippo/

2007 poetry alum Jeneva Burrows Stone was recently featured in Scoundrel Time. Read an excerpt of “Generational Neuropathy” below:

Generational Neuropathy

Politics tries to annihilate its own consequences in a bright nuclear blast. For a nanosecond, everything (for once) is illuminated. But there’s always another war to end all wars. Remember the Doonesbury cartoon about Star Wars—no, not that one, Reagan’s pet project—Oops! one got through. ‘Bye.

How will I know you in the afterlife? It’ll be recorded, I imagine.

Then the towers fell and fell, imploding story by story, all the way down. Even the great antenna. News ran on a loop of destruction, resolution, imperative, fight. The weight of history become literal. No one debated a tragedy on American soil, not even me.

 

Find this poem, as well as two others, here: https://scoundreltime.com/three-poems-by-jeneva-burroughs-stone/

2022 fiction alum Jared Levy was recently featured in Short Edition. Read an excerpt of “Couch” below: 

Couch

My dad came home from work and sat on the black leather couch in the living room. He always sat in the same spot. He always looked tired. Every night went the same: first work, then couch until the couch developed a large impression where his butt landed.

Until my mom kicked him out. Then I sat in the spot. I was younger then, about eight or nine, so I fell into the spot. It was like falling into a pit. It was like wearing hand-me-downs.

When my mom asked to sit in the spot, I said, “No, it’s mine.” But my mom said I couldn’t claim the spot. She said it was a little weird for me to be fixated on the spot when there were so many places to sit. What about the place on the other end of the couch where you could put your legs up? Wasn’t that more comfortable?

I ignored my mom and stayed in the spot. I came home from school and watched the same TV my dad watched: sports, ER, and any movie on TNT. When my mom got home, she said she was too tired to argue with me.

“Do what you want,” she whispered.

 

Read the rest of this story here: https://short-edition.com/en/story/short-fiction/couch-1

Fiction faculty member Kevin McIlvoy was recently featured in Defunct. Read an excerpt of McIlvoy’s poem “the lightning table” below:

the lightning table

don t you ever eat any sandwiches in your office

i haven t had a crumb of bread for i don t know how long

or a piece of ham or anything but apple parings

and paste leave a piece of paper in your machine

every night you can call me archy

Read this poem in its entirety here: https://defunct.site/issue/9/authors/50/kevin_mcilvoy/171/the_lightning_table

Why Are Your Stories So Sad?“, a visual essay by fiction alum Robin Black, was recently featured in Defunct. Find Black’s essay at the link below.

https://defunct.site/issue/9/authors/60/robin_black/198/why_are_your_stories_so_sad