IN THOSE DAYS we gathered in the parlor for the mail. The postman stuffed mailboxes without speaking to us, and our hearts either rose or fell. Later the payphone in the hallway would ring, and one of the girls would answer. You could hear her from your bed. Hello? Oh hey. Sometimes the phone would ring and ring, and I’d go answer. It was him again. His crusty voice betrayed his age. 

How’s my girl today? 

Men circled the college in their cars alone, slowly driving. We were like candy, we were like drugs, we were the pink of their dreams. Five hundred single girls sleeping in little rooms, windows open to the fresh air. 

My girl, my man said, tell me what you’ve been up to.

I never meant to talk to him so much or even learn his name. But in those days we didn’t know what we didn’t know. On weeknights after the sun went down, we withdrew into our rooms. The hall phone rang, someone answered. Another call came, and another, always someone answering. It was our only phone. I waited my turn. As the night went on and the air fell silent and finally I heard the lone searching call, I picked up.

Tell me what you’ve been up to, he’d go, and I’d say something like doing my nails. So tell me what that looks like, and I’d describe my bed. Because he liked to hear about my bed. I do everything on my bed, I told him, I read and do homework and drink hot chocolate and make sandwiches and sketch in my sketchbook on my bed. Now I’m doing my nails on my bed, so I’ve got these little scissors and a new bottle of polish called Hot Kimono, and if I’m not careful it’ll tip and ruin my bedspread. My bedspread? White with little roses, just like you imagine.

Ruby, he’d say. My made-up name. I need to meet you.

That you cannot do, I’d say, and I’d hear his cheek rub against the receiver. But you can call me tomorrow.

In those days some girls cried about not having a boyfriend, while some dropped out of college when they got one. Then there were the girls who were in love with each other. They lived in Horton Hall. I didn’t know any of them, but when I passed beneath their windows it gave me something to think about.

My man said, tell me about the girls, and I’d tell him about the lesbians. Just to see what he’d say. I’d describe girls holding hands in the dark. Really, he’d say, holding hands? But then I’d tell him it’s nothing, it’s just friendship. Sometimes girls just want to get close to each other. Oh yeah, he’d say, and his voice would drift away. I pictured him in a dingy kitchen with a buzzing refrigerator; I had him in a chair at his kitchen table with a Formica top, his spotted hands clutching a coffee mug. A widower, retired, with no one to talk to but me. 

And whose hand do you hold, he’d ask. No one’s, I’d tell him. And no one is fine with me.

Not everybody is a link in a chain.

In those days you could keep to yourself and no one would ask any questions, especially if you weren’t pretty. If you weren’t pretty, who cared what you did in your life? In high school I invented an out-of-town lover named Marshall Smith: I was in a long-distance relationship. I bought a cheap silver ring and wore it on my thumb, a gift from Marshall. Sometimes I loved him, and sometimes I didn’t, and we’d break up. I’d leave his ring on my dresser, thinking I might play the field, but no one ever asked for my number. I’d catch couples kissing in the hall between classes, and my mind would race. Not my heart, mind you, my mind.

The newbs were lined up in their underwear along the far wall of the Hawley basement. Ennis Quinn, the captain of the wrestling team and the hardest sixth-former in Hawley House, stepped out from the pack of older kids, and Ben Weeks’s shoulder blade met the cool stone behind him. Ben tried to keep his nervous elation from becoming too apparent: he had spent so long waiting through other things to get here. Ennis began to pace in front of the newbs, his eyes forced wide, his paper-bag-colored hair buzzed wrestling short, the tip of his tongue moving over his lips. He seemed built of denser stuff than the other kids.

The older guys in the dorm stood on all sides, now swaying in time together, and because they couldn’t let the junior faculty two floors above them hear, they chanted in whispered unison, “A St. James newb is a quiet newb! A St. James newb is a quiet newb! A St. James newb…”

Ben could feel how scared the rest of the new kids were, and he was overcome with a protective pity for them. He wished he could impart to them what his older brother, Teddy, graduated that past spring, had imparted to him. This would just be a glorified pillow fight, it was happening all across campus in the basement of every dorm, it would weld them all together, they had come down here strangers and would leave each other’s future groomsmen.

But, now, Ennis paced. Ben kept expecting him to start talking or yelling, to open the ordeal, but he just continued to walk back and forth, and the chanting of the other upper-formers all at once grew stale. They had repeated the words so often that the meaning had gone away in their mouths.

Now it seemed that this could be more difficult. Ennis kept pacing, not speaking, as though waiting for someone else’s line to prompt him. Of course they had all been drinking, the upper-formers, but Ben hadn’t come close enough to smell it. The newbs remained standing there, hair sleep-askew. Fear began to turn in Ben, new fear about actually getting hit now, and fear that this would be something other than what he had hoped it would be.

Ben’s roommate, Ahmed, was the only newb who wasn’t staring absently down at the drain in the floor, waiting for this to begin so that it could be over. And Ahmed was the only newb who was wearing a bathrobe: off-white waffle weave with crimson piping. His eyebrows were low and he followed Ennis with his eyes. What had Ennis done to earn this?

Earlier that day Ben had come through the door to the room and met eyes with Ahmed, this brown boy wearing a magnificent plum-colored dress shirt, and Ben had been quietly shocked by what was there in his face, in such contrast to all the other faces he had ever seen at St. James: a pure enthusiasm, a near-complete absence of guile. Now Ahmed closed his fists and released them, close-release, close-release, close-release, close-release. Ben watched Ahmed, and Ahmed watched Ennis. Still Ennis paced, still he said nothing, and it seemed like some mechanism was broken inside him.

Ben had so much to rely on. He took himself back to the living eyes of the crowd behind his court as he faced them, right arm above his head, after winning the last point of the Under-15 Junior National Squash tournament. Ben tried on that triumph again, tried to let it take him. Manley Price, the St. James squash coach, had been waiting for him to arrive on the team. Ben saw his brother Teddy’s face, utterly free from doubt, describing St. James’s classes, late nights in friends’ rooms, afternoons deep in the woods. He saw Hutch’s face across the Camp Tongaheewin canoe shed, telling the other kids how sweet St. James was going to be. Ben saw the class photos of his uncle and father and grandfather, all the Weekses who looked like him, all the way back. Fear was natural, fear was even part of the appeal, but he belonged, he belonged, this was the correct beginning for all of it.

“Newbs!” Ennis finally called out in a whisper. “We are going to see who is the toughest among you!”

Again Ennis lapsed into fixated silence, and all of Ben’s assurance went away.

“We are going to find out who is the bravest! The strongest! The fastest! The best! The best! The besssssssst!”

Ennis curled his fists in front of himself and lowered his head toward his chest now, chanting to himself, “The bessssssst! The bessssssst! The besssssssssst!” The morning of that day seemed very long ago.–


Excerpted from the book THE EXPECTATIONS by Alexander Tilney. Copyright © 2019 by Alexander Tilney. Reprinted with permission of Little, Brown and Company. All rights reserved.

An excerpt from “A Peaceful Country” and a link to two other poems by Ian Randall Wilson (poetry ’02, fiction ’16), published by Cathexis Northwest Press.

A Peaceful Country

Now that the report is in
the nation in all its nakedness
mouths the platitudes.
Is this the time
to speak of what
must be done
when butterflies are flying
like orange comets in the day?
A bird in the hand, well,
the birds are chirping, too.
From the trees, so much noise
it’s impossible to sleep.

[… continue reading “A Peaceful Country” as well as “Social Media” and “Mosquitoes Will Inherit The World” at Cathexis Northwest Press.]

An excerpt from “Stranger Jelly” by Noah Stetzer (poetry ’14), published by The Rupture.

Stranger Jelly

Go for a jar of jam at the market and realize days later when you pull
it from your fridge that in fact it’s something you never in a million years
would have ever thought to even try much less buy and there you are

in your kitchen ready for toast with butter and jelly holding a jar of never
thought of, never knew it, never thought to know it even existed in all
the world, jam…

[… continue reading at The Rupture.]

An excerpt from “To Go Forth As a Luminous Being” by Maudelle Driskell (poetry ’08), published by Malasana.

To Go Forth As a Luminous Being

“Luminous beings are we… not this crude matter.” 
                                   Yoda, The Empire Strikes Back 

The Jedi Nesting Dolls are smooth and fit together 
perfectly; hollows filled with hollows 
rounds filled with rounds. Impossibly long necks 
supraorbital ridges ears like Anaheim chilis 
flanges with all the fixins smoothed 
represented two dimensionally in shiny enamel. 

“The eyes know what the hands do not.”

Round to round head to head tail to tail in a concentric sequence 
A gyre of gimballed supra-galactic super-philosopher pocket sized 
nesting ninjas. The smallest is largest; a stretched Yoda containing 
Obi Wan, Fistor, and Skywalker. They all fit in my pocket and I can look inside. 

[… continue reading at Malasana.]

An excerpt from “Alecto” by Maya Phillips (poetry ’17), published by The Missouri Review.

Alecto

because a woman scorned.

because there is precedence for such a thing.

                                                        such a thing being the man                                                                                                                   and the woman
                                                to which he was sworn                        (scorned)
                                                                                                                        now wed
                                                                      to this matter of things             being

[… continue reading at The Missouri Review.]

An excerpt from “The Stone Menagerie” by Daniel Jenkins (poetry ’18), published by Maryland Literary Review.

The Stone Menagerie

In Tanzania,
a thesaurus of birds
perch stiffly, petrified
by the alkaline slime
of Lake Natron.

These avian stones,
these strands of hide and rough-twine
wide-fanning feathers:
Calcified cranes, sparrows
chewed to paste, finches hardened
to chalk, a hawk’s ghostly wing.

[… continue reading at Maryland Literary Review.]

An excerpt from an interview with Peg Alford Pursell (fiction ’96), published by Full Stop.

Sarah Stone: So many of these stories center around family configurations, especially, though not only, dyads: mother/daughter, daughter/mother, siblings, couples, spouses. There are so many beautiful passages of the characters observing each other, reflecting on each other. Here’s a moment from “Daylilies”: “When she visited her mother last, she stood in the shadows at the door of the den and watched her mother sleep, the dream gently waving through her body, fluttering her fingers near her face. In the close room, a tart odor pervaded like an opaque mist, as if she were standing in her own backyard next to the lime tree, enveloped in the morning fog./ Please put off dying until I no longer disappoint you, she thought. Her mother’s blue eyes opened, and her mother looked at her the way little girls do when you tell them the truth.” How do you complicate and layer the characters and relationships in these dyads?

Peg Alford Pursell: Thanks so much, Sarah. When it comes to characters and the very short story, flash, it’s difficult to have many characters. There’s not enough space, generally speaking, to develop characters in 500 words or less. It only takes two characters to produce sufficient dramatic tension or conflict. When it comes to the use of family configurations, Flannery O’Connor said that anyone who’s survived beyond the age of twelve has enough fictional material for the rest of her life. Likewise, it doesn’t take long before we understand that people, family members, have an exterior and an interior, as we do ourselves. With all the complications inherent in our human makeup, the miracle is that we manage to somehow get along in our family systems, which I attribute to biological imperatives. Where does love come from, really? What is its primal nature, it’s purpose? Our first experiences with love, to varying degrees, is maternal, even if only pre-birth, so there’s an endless fount of source material in that dyad of mother and child. I’m probably most interested in mother/daughter since it’s what I know best, and it’s not as easy for me to inhabit a male’s perspective, although that doesn’t prevent me from trying. When writing, I inhabit my characters, with their contradictory ideas of the world, desires, situations, “lives lived” off the page. Usually that part comes easily to me, though if a story gives me trouble—doesn’t quite work—I can often trace the issue to a need to more completely immerse myself in a character’s interiority and behaviors.

[… continue reading at Full Stop.]

An excerpt from “Those First Days” by Fay Dillof (poetry ’15), published by Frontier Poetry.

Those First Days

Those first days, crows—
more than I’d ever seen, hundreds—cawed,
circling the ice-shocked trees, while we ate
small blue pills to sleep and waited
for the thaw. The world, from inside his coat,
shimmered. A field of snow—the clouds.

[… continue reading at Frontier Poetry.]

headshot of Candace Walsh (fiction '19) gazing at the camera wearing a blue cardigan.

An excerpt from “Dear Francine du Plessix Gray” by Candace Walsh (fiction ’19), published by New Limestone Review.

Dear Francine du Plessix Gray

Dear Francine du Plessix Gray:

           I am writing to inform you that The New Yorker search field’s autocorrect changed Plessix to Pelisse before my very eyes. Dictionary.com definitions for pelisse describe “an outer garment lined or trimmed with fur” or “a woman’s long cloak with slits for the arms.” Contextually, I thought a pelisse was a bit like a camisole, or maybe even a plimsoll, which is a fancy British word for a sneaker. I need to know this, or one third of me needs to know this, as I have applied as a graduate student to one British university, one university in Ohio, and I’ve also applied for a teaching position at a university in New York. Then again, in all of those potential fates, knowing what plimsoll means is better than the alternative. 

[… continue reading at New Limestone Review.]