An interview with faculty member Charles Baxter appears at Fiction Writers Review:

Ian Singleton: Thanks for granting my request to do this interview, Charlie. Let’s talk about requests, since that’s a theme in your new collection, There’s Something I Want You to Do. Each story has a moment when a character says, “There’s something I want you to do,” which leads to a request. The stories’ titles each come from virtues and vices. How are those two themes related in your work, requests and then virtues and vices?

Charles Baxter: A couple of ways. I came at this in a very unmethodical way. I wasn’t thinking systematically when I put the book together. I arrived at this arrangement just from a kind of a coincidence. I had seen a performance of Hamlet at a local theater here in Minneapolis, and I was struck by the way that play starts with the ghost of Hamlet’s father asking him to avenge his death and to honor his mother and to remember his father, all these requests. And it struck me: that’s a hell of a wonderful way to get a dramatic story started, just to ask someone to do something, particularly if it’s dangerous, or possibly unethical. It brings up issues of loyalty, issues of power, of your will, of your ability to do what’s been asked of you. And I thought: Well, I don’t know why a short story couldn’t operate by some of the same means.

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A poem by faculty member Eleanor Wilner appears at Poetry Daily:

Some days it was nothing more than a whine
in the wires when the wind plays
the power lines across the plains;
sometimes it was the sound of shuffling cards,
the click of thrown dice, the slight percussion

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Faculty member C. Dale Young’s poem “The Call” appears at Poets.org:

I am addicted to words, constantly ferret them away
in anticipation. You cannot accuse me of not being prepared.
I am ready for anything. I can create an image faster than

just about anyone. And so, the crows blurring the tree line;
the sky’s light dimming and shifting; the Pacific cold and
impatient as ever: this is just the way I feel. Nothing more.

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An essay by faculty member Caitlin Horrocks appears at AGNI Online:

Horrocks72Weddings are like dreams not in the sense of fairy tales, but in the sense of being strange, disjointed departures from daily life that you shouldn’t assume anyone else wants to hear about. But that never stops anybody. Mine happened a year ago, to a man I’d been living with for seven years, dating for eight and a half. We married in the dinosaur wing of the Pacific Science Center in Seattle, Washington. Instead of educational fossils, envision giant 1970s animatronics, rolling beady eyes and jabbing forelimbs, growls playing over hidden speakers. The dinosaur sounds weren’t muted for the ceremony, so our declarations of love were interrupted by pterodactyl shrieks.

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A poem by faculty member Martha Rhodes appears at The Cortland Review:

Husband, who is that woman there,
that lovely woman barely clothed,
that woman barely clothed I see
in the corner of our room tonight?

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Two poems by faculty member Jennifer Grotz appear at The Cortland Review:

The Broom

Just jet lag, but these sleepless hours turn it
existential, that is, sad. Out of synch with time:
that’s a man-made loneliness. It feels like
waiting to be let back in, but it’s waiting for
something in me to change and until then,
it’s lying upside down in the bed and hot, using
the blanket as a pillow, the pillow as a blanket.

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roger_rFriends of Writers would like to congratulate faculty member Roger Reeves on receiving the Zacharis Award. More information can be found here.

An essay by faculty member Dominic Smith appears at The Millions:

Earlier this year, when the CIA’s style manual was released online (pdf), writers and editors across the web took note. Bureaucracies are often criticized for propagating opaque prose — the kind of double-speak that pronounces very little with an abundance of words. But here were CIA directives that sounded far more like Strunk and White than big government.

Keep the language crisp and pungent; prefer the forthright to the pompous and ornate.

Favor the active voice and shun streams of polysyllables and prepositional phrases.

Be frugal in the use of adjectives and adverbs; let nouns and verbs show their own power.

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The poem “Low Tide” by faculty member Alan Shapiro appears at Poetry Daily:

On the mud flats
where I’m walking
each step pushes the wet
out from beneath it
to a dry halo

of a heel and toe
which as I lift it
dampens to
a trail of pools
behind me as I walk—

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Faculty member Peter Turchi is interviewed about his newest book A Muse and a Maze by his son Reed for The Believer:

I. TRYING TO SOLVE THE PUZZLE

REED TURCHI: Well, now that I’ve cut out all of the paper polygons from the last page of A Muse and A Maze and made what looks like a duck-rabbit, should my writing have improved? In the end, should I even be trying to solve the puzzle, or enjoying my polygonic-wanderings?

PETER TURCHI: Actually solving the puzzles in the book isn’t going to improve anyone’s writing, but “trying to solve the puzzle” is one way to think about what a lot of us—writers and other artists—do every day. Step one is to recognize the problem, step two is deciding what constraints you want to impose or respect, and step three is finding a pleasing/surprising/exciting solution.

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