2004 poetry alum Colleen Abel was recently featured in the LEON Literary Review. Read an excerpt of “Lament with Six Stitches” below:

Lament with Six Stitches

Everyone who looks at you sees
my face in your face

but this is a part of you I do not know:
one of the only parts, this inside of your skin, 

many layers down, flanged with white 
and pulpy-red, exactly as a split fruit.

Less than I ever do I see myself in you now—
blood trail down your shirt, the hole gaping 

between your eyes—I, who am so careful,
who only came close once to slipping

out from this world’s grasp: the day you 
came into it, a noose around your neck

that almost killed us both. And here 
we are again. 

Read this poem in its entirety, as well as another, here: http://leonliteraryreview.com/issue-10-colleen-abel/

2019 poetry alum Charles Douthat was recently featured in the LEON Literary Review. Read an excerpt of “Grounds” below:

Grounds

And after draining water pipes for winter
and latching shutters closed, after strapping
suitcases to the station wagon’s rack
and taking up a basement shovel 

I’d dig a foot-deep, yard-wide earth-hole 
downhill from our two-room mountain cabin,
then wait for my father and the grease-soaked
brown-paper bag of kitchen leavings

he’d carry down.  Ceremoniously
he would nod, release the uplifted bag,
and we’d watch it strike dirt and split apart,
spewing out meat gristle and banana peels,

chicken bones and eggshells. . . 

Read this poem in its entirety here: http://leonliteraryreview.com/issue-10-charles-douthat/

Program founder and poetry faculty member Ellen Bryant Voigt was recently featured in Poetry Daily. Read an excerpt of Martin Mitchell’s reflection below:

Martin Mitchell on Ellen Bryant Voigt’s Messenger

In the first months of the pandemic, I found myself living in a borrowed house, beautiful and light-filled, with large granite countertops—a stately old structure ideally located near the center of a quaint, gothic city. Perfect for afternoon walks and evening drinks on the upstairs patio. Each night I would listen as the oak trees slowly filled with bird song and marvel at the languid persistence of the Spanish moss, glowing dimly above the lamp posts.

All I missed, really, besides friends and family, was my book collection, 500 miles and three states away. The house, having been renovated for weekend vacationers, had nothing in the way of reading material except for brochures of nearby tourist attractions. So, I ordered a few books from a local store.

It was in this way that I first encountered Ellen Bryant Voigt’s Messenger: New and Selected Poems 1976-2006, a book that has anchored me amid the tumultuous uncertainty of the past eighteen months. Voigt’s poems are shorn of superfluity, each line shaved down to its essential, burning core. She is a poet of control and precision; across decades and amid differing poetical movements, Voigt is steadfast in her adherence to a clear-eyed iambic elegy…

Read the rest of this essay, as well as a poem of Voigt’s, here: https://poems.com/features/what-sparks-poetry/martin-mitchell-on-ellen-bryant-voigts-messenger/

Friends of Writers congratulates Reginald Dwayne Betts (poetry ’10) who has been selected to be a 2021 MacArthur Fellow. Betts received a BA (2009) from the University of Maryland, an MFA (2010) from Warren Wilson College, and a JD (2016) from Yale Law School. He is currently a PhD candidate in law at Yale Law School. Betts was appointed by President Barack Obama to the Coordinating Council of the Office of Juvenile Justice and Delinquency Prevention in 2012, and since 2018 he has served as a member of Connecticut’s Criminal Justice Commission, which appoints state prosecutors. His additional publications include the poetry collections Bastards of the Reagan Era (2015) and Shahid Reads His Own Palm (2010) and the memoir Question of Freedom: A Memoir of Learning, Survival, and Coming of Age in Prison (2009).

From the MacArthur website:

Reginald Dwayne Betts is a poet and lawyer promoting the rights and humanity of people who are or have been incarcerated. Betts’s work is informed by his experience with incarceration after being tried as an adult for a carjacking at the age of sixteen. As a practicing lawyer, Betts fights for clemency and parole for individuals facing lengthy sentences, and he is a member of local and national taskforces dedicated to ending cash bail, limiting sentence lengths, and prohibiting the practice of sending juveniles to adult prisons.

His poetry reflects both his legal training—particularly his deep engagement with scholarship on notions of guilt, punishment, and justice—and his command of craft. Throughout Felon (2019), his third collection, Betts inhabits multiple voices, making visible the entire spectrum of the criminal justice system. The opening poem, titled “Ghazal,” is written in the classical Arabic form of the same name, which is characterized by rhyming couplets that end with a repeated refrain. In this case, the refrain is “after prison,” and the speaker recounts the separation and loss that come with imprisonment and the struggle to rebuild a life as a convicted felon. “For a Bail Denied” depicts the fear and despair of a teenager, his mother, and his public defender in a hearing that results in his imprisonment. In a series of redaction poems, Betts uses source material from Civil Rights Corps lawsuits that challenge the imposition of cash bail and court fees. He blacks out the often obscure and sanitizing language of legal documents to lay bare the criminalization of poverty. Impoverished people, unable to pay traffic tickets or excessive bail, are jailed indefinitely in a modern-day version of debtor’s prison. In collaboration with artist Titus Kaphar, Betts created a series of prints of the redacted poems overlaying Kaphar’s portraits of the plaintiffs in the lawsuits. The resulting exhibition, Redaction (2019), was a powerful indictment of the human impact of cash bail. It addressed a community that rarely sees itself reflected back from the walls of museums.

Betts recently launched the nonprofit Freedom Reads to give incarcerated people access to the power of literature. Freedom Reads donates books and shelving for libraries, organizes author visits, and sets up book circles in prisons and juvenile detention facilities. Through his profoundly moving poems, public defense work, and advocacy efforts, Betts provides a unique perspective on the lifelong impacts of incarceration and the injustice of a criminal justice system that relies so heavily upon it.

The MacArthur Fellows Program awards unrestricted fellowships to talented individuals who have shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction.