2021 poetry alum Hannah Silverstein was recently featured in Dialogist. Read an excerpt of Silverstein’s poem “Propolis” below:

Propolis

Honeybees Survived for Weeks Under Volcano Ash After Canary
Islands Eruption
New York Times headline, 4 December 2021

We glued the pores of our city shut and ate
and ate—why not? Locked down, we gorged sweet stores,
we waggle-danced, and buzzed, and drank. The end
had come, the earth burped up cantankerous fumes,
florescent flames where lavender bloomed. Honey
glowed, it rivered bright, it flowed and sang,
and we sang, too, forgetting flight, forgetting
sky, and petal shades and anther-dust…

 

Read this poem in its entirety here: https://dialogist.org/poetry/2022-week-20-hannah-silverstein

2022 poetry alum Karen Hildebrand was recently featured in Defunct. Read an excerpt of Hildebrand’s poem below:

Visiting My 91 Year Old Mom at the Rehab Center

We face off — heavyweight to flyweight

Mom’s chair leather, mine mesh. She punches

down her tea mug, sending the cart into a spin.

I’m sparring with the best. Hundred degrees,

arid Colorado heat, Mom approaches the ring

in a droopy sweater, ankles blown twice normal.

 

Read the rest of this poem here:

https://defunct.site/issue/10/authors/117/karen_hildebrand/246/visiting_my_91_year_old_mom_at_the_rehab_center

Poetry alum Leigh Lucas was recently featured in Defunct. Read an excerpt of “September 12th” below:

September 12th

We sat, wrestled paper with markers and scissors and

 

held our own small fates,

 

in a homemade deck of spell-casting cards,

 

drawn perfect from memory —

 

deadly nightshades, unicorn horns,

 

black cats and a single prince.

 

Read this poem in its entirety here: https://defunct.site/issue/10/authors/122/leigh_lucas/250/september_12th

Poetry alum Martha Zweig was recently featured in Defunct. Read an excerpt of “Saffron Immolations” below:

Saffron Immolations

Sweet dreams of fire:

orange filmy sheets my mother snapped

afloat to make our beds with Mondays then

when I was small & fearless.

 

I was the tiger’s eye:

I made up the tiger’s mind & gave it its courage,

banished its shame, practiced its jungular amble

& let its long tongue loll.

 

Read the rest of this poem here: https://defunct.site/issue/10/authors/127/martha_zweig/258/saffron_immolations

Fiction faculty member Debra Spark was recently featured in Barnard Magazine. Read an excerpt of Spark’s essay about Alicia Jo Rabins (Poetry ’09) below:

Her Many Muses

Not long after the Bernie Madoff scandal broke, Alicia Jo Rabins ’98 started a yearlong artist residency on an empty floor of a Wall Street high-rise. At first, Rabins — a poet, musician, and Jewish educator — wasn’t sure what she’d produce. This was a time to be creative, but her mind kept turning to the disgraced financier who defrauded thousands of people. Here she was in the heart of the financial district — in his environs. How to understand the man who once operated the largest Ponzi scheme in history? And what about the individuals and families he impacted? Why was she even so curious?

When Rabins is interested in something, she has a tendency to dive in deep. In 1994, she arrived at Barnard, an accomplished violinist who wanted to be a poet. She left as a Phi Beta Kappa whose friendship (and subsequent study) with a Modern Orthodox classmate spurred a desire to immerse herself in Judaism. Previously a more-or-less-secular Jew, she moved to Jerusalem for a year of study but wanted more, so she stayed for a second year, then returned to New York and eventually earned a master’s in Jewish women’s studies at the Jewish Theological Seminary.

In 2008, she was still in the habit of immersing herself in all-consuming subjects, only now that was Madoff. In the end, she says of her obsession, “I did what any artist does when something drives them crazy — I made it into art.”

 

Read the rest of this essay here: https://barnard.edu/magazine/spring-2022/her-many-muses

Rabbit Pâté,” a poem by 2016 alum Jennifer Funk, was recently featured in Painted Bride Quarterly. Read an excerpt below:

Rabbit Pâté

It arrived this afternoon swaddled in plastic wrap and packed in ice, already beheaded
and de-furred, lustrous and pale.  Both creatures ready, the counter sanitized and clear,
Chef takes animal apart, parting limbs from torso with practiced hands

and a paring knife, shearing burgundy muscle loose from bone, his wrist loosening
tissue with swift flicks.  His frame mounts a shadow over the once-a-rabbit, the getting
comes easy, his synapses discharging from the memory grove: brain to bicep

to wrist to knife’s edge.  He stills, holds the heart a beat.  This heart, a rough
nugget of muscle, the size of a walnut…

 

Read the rest of this poem here: http://pbqmag.org/jennifer-funk-rabbit-pate/

2019 poetry alum J. Estanislao Lopez was recently featured in Zocalo Public Square. Read an excerpt of “What the Fingers Do” below:

What the Fingers Do

My daughter learned to point
in a cemetery.
There were many deaths that year.

The priests’ black shirts grew discolored from sweat.
Florists did well.
Pillowy, white fabric lined the open casket,

as if we were burying, with the body,
a bit of sky…

 

Read this poem in its entirety here: https://www.zocalopublicsquare.org/2022/05/13/j-estanislao-lopez/chronicles/poetry/

2010 poetry alum Rebecca Foust was recently featured by the Hudson Review, Verse Daily, and the Poetry Foundation. Read an excerpt of “ALZ Ghazal” below:

ALZ Ghazal

For my sister

It’s the same house, same rugs, same wallpaper, and bedroom repeating;

same dresser; same rocker. Same window and frame, repeating.

 

Same birds at the pane, same pots and pans, and—on the alarm clock,

the wall clock, the phone clock—the same time, repeating

 

each hour’s increment in a lived life. But, This is no life, each day like

before and to come, repeating.

 

The furniture set in a known pattern. The rugs there, like always, inking

the blueprint of home, repeating

 

jewel tones on the floor, but what was once north–south now seems to lie

east–west—who moved the rugs?—in sum, repeating

 

the familiar, but sideways. Your inner axis has shifted, the landmarks

somehow changed but the same, you repeating

 

Why do they keep moving the rugs?  The desk, the chair, your keys?

Home its own balm, repeating

 

the familiar, but neither keys nor your purse can be found—I know

I just had them—repeating

 

the questions yields the same, that is, no real answers. Your sense of taste

gone, like eating chum, repeating

 

the same million small motions: fork to plate then mouth, then back down,

always the same, repeating

 

the flavor of cardboard. You used to love to cook, that joyous jazz variation-

on-a-theme now a repeating

 

like pages of musical staffs, xeroxed blank with no notes. Lately, you refuse

to eat anything at all. In a poem, repeating

 

lines compose a refrain and, echoed again and again, the sum of refrains

is a song. But there is also empty repeating:

 

zero plus zero plus zero still zero, a void. No accretion, no growth, no life,

no thrum. Then again, birds—some, repeating

 

one clear note, are said to singing without tune—and, the same set of sounds

from a beaten drum, repeating

 

means nothing and everything at the same time. The gene runs in families

and can be followed like breadcrumbs, repeating

 

the precise map for getting lost, down through generations. She took the same

route to work on the town tram, a repeating

 

my sister relied on. We rely on a plum to taste purple when our teeth break

its skin. Some numbers go on ad infinitum, repeating…

 

 

Find the rest of this poem here (and be sure to check out “At the Train Station Circa 1982” and “and for a time we lived” at the Hudson Review and Verse Daily).

Poetry alum Chloe Martinez was recently featured in Couplet Poetry. Read an excerpt of “Heads” below:

Heads

We are walking and he stops, then with

 

excruciating care and barely-balance bends

 

down—suspense is about time, suspension

 

is about space—and turns a fallen penny from tails

 

 

to heads. He is leaving some

 

luck for a stranger. He is leaving. 

 

Some luck…

 

 

Read the rest of this poem, as well as another, here. (And also check out “Mira’s Colors,” another poem by Martinez, at the Poetry Foundation.)

Fiction alum Elizabeth Mayer was recently featured in Husk. Read an excerpt of “Sweet Reason” below:

Sweet Reason

He had that feeling you get when you’re pulling down your pants, about to sit on the toilet, then realize, an instant too late, your iPhone is still in your back pocket. It was dread, but it was also surrender. Catastrophe was in motion. You couldn’t stop it.

He dreamt he had crippling arthritis in his ring finger from years of playing steel guitar. He dreamt he shaved his head, but when he dusted the fuzz from his crown and looked up at the mirror, his face had morphed into Randy Quaid’s. He dreamt he was lost in the mall. He found his way to the roof but it was 17 stories high with no way down. There were no zombies, only zombie consumers. It wasn’t satire; it was pure fear-of-heights. He dreamt he said women are inferior to men in front of a woman he had been in love with for years. Her face, so clear in the rooms of his subconscious, turned to disgust. He woke with a pounding heart.

 

Read the rest of this piece here: https://huskzine.com/issues/husk-1-1/sweetreason/